Ed. Fundación Colección Thyssen-Bornemisza, 2008.

Tomás Llorens

21 x 25 cm.

240 pages. 190 color illustrations.

Paperback with flaps.

Spanish edition.

This exhibition presents a survey of Miró´s work in th period between 1918, the year of his first solo exhibition, and his death in 1983. The guiding concept is a recurring theme in his work: the earth. In contrast to other art historical interpretations which have emphasised the artist´s links with Surrealism, the present exhibition will focus on his fidelity to rural and pagan life, his fascination with excess, fecundity -including sexuality- and death. Seen from this viewpoint, Miró´s work in the second half of his life acquires greater importance than is usually acredited to it.

Ed. Fundación Colección Thyssen-Bornemisza, 2008.

Guillermo Solana

21 x 24 cm. 217 pages. 138 color illustrations. Paperback with flaps.

Spanish edition with an appendix in English.

The fitst monographic exhibition in Spain to be devoted to Avigdor Arikha (Rumania, 1929), an artist appreciated by a small group of collectors and art lovers. Arikha is a passionate defeder of "painting form life", based on first-hand observation. The exhibition includes an extensive selection of his paintings and drawings and continues the Museum´s plicy of devoting exhibitions to contemporary art.

Ed. Fundación Colección Thyssen-Bornemisza.

VV.AA.

Edition 2007.

28 x 24 cm.

260 pages - 62 full-color illustrations.

Hardcover.

Spanish edition with english appendix.

Ed. Fundación Colección Museo Thyssen-Bornemisza, 2007

Guillermo Solana

21 x 24 cm.

199 pages. 37 color illustrations.

Paperback.

Spanish edition with an appendix in English

This exhibition is devoted to one of the great names in art: Vincent van Gogh. More specifically, it focuses -for the first time-on the last three months of the Dutch painter’s life in Auvers near Paris. The Auvers period was a brief but remarkably productive one and involved a radical change of direction in Van Gogh’s work which he did not have time to fully develop.

Ed. Fundación Colección Thyssen-Bornemisza

AA. VV.

Edition 2008

21 x 22 cm.

207 pages - 104 full-color illustrations - 78 b/n.

Hardcover.

Edition: Spanish with English appendix.

Otto Dix, Portrait of Hugo Erfurth. Techniques and Secrets. Thyssen-Bornemisza Museum, Madrid from March 11 to May 18, 2008.

A new exhibition in the Contexts of the Permanent Collection series which focuses on the relationship between Otto Dix -one of the great 20 th century German painters- and his friend Hugo Erfuth, a celebrated portrait photographer. The exhibition brings together works by the two men, revealing how their influence on each other extended beyond their close personal friendship.

Ed. Fundación Colección Thyssen-Bornemisza.

Tomás Llorens.

Edition 2004.

Hardcover.

Spanish edition.

First retrospective exhibition that was presented in Spain by the German painter. Jointly organized by the Museo Thyssen-Bornemisza, the Fundación Caja Madrid and the Städtische Galerie im Lenbachhaus in Munich.

Fundación Colección Thyssen-Bornemisza.

Till-Holger Borchert, Marian W. Ainsworth, Lorne Campbell, Paula Nuttall.

Edition 2005.

30 x24 cm.

191 pages - 213 Full colour Illustrations

Softcover with flaps

Spanish edition

Hans Memling was of German origin and was born in Seligenstadt around 1435. The first reference to the artist dates from 1465 when he is known to have acquired citizenship in Bruges, an essential requirement for practising as an artist in the city, where he arrived already a fully qualified master.

Ed. Fundación Colección Thyssen-Bornemisza.

Millar Meiss, Guillermo Solana.

Edition 2006.

21 x 22 cm.

105 pages - 52 full-color illustrations - 4 b/n.

Hardcover.

Spanish edition.

Fra Angelico. The Virgin of Humility, sponsored by Banco Urquijo, is the 18th in the Thyssen-Bornemisza’s Contexts of the Permanent Collection series. On this occasion the focus of the exhibition was the magnificent panel by the Italian artist normally on display at the Museu d’Art de Catalunya (MNAC). The exhibition analyses two types of Virgins that were widely represented in art over the centuries, and of which the collection has particularly fine examples. They are the Virgin of Humility and the Virgin enthroned with the Christ Child.

Ed. 5 Continents Editions.

Jean Habert, Sylvie Béguin, Catherine Loisel, Stefania Mason, Gianfranco Ravasi.

Edition, Milán, 2006.

28,5 x 21,5 cm.

183 pages - 98 full-color illustrations - 6 b/n.

Hardcover.

Edition: spanish.

The exhibition looked at the two competitions convened in the late 16th century by the Republic of Venice to execute the paintings that would decorate the Sala del Gran Consiglo in the Palazzo Ducale.

The exhibition had been organised in collaboration with the Musée du Louvre, where it was showed until May 2006, and with the Palazzo Ducale in Venice, where the exhibition was seen following its Madrid showing, in Autumn 2006.

Designed for the exhibition Impressionist gardens. Museo Thyssen-Bornemisza, 2010.

Made with recycled cardboard.

Size A4 (21 x 29.7 cm.).

Designed for the exhibition Impressionist gardens. Museo Thyssen-Bornemisza, 2010.

Ed. Fundación Colección Thyssen-Bornemisza.

AA. VV.

96 pages.

Hardcover.

Spanish edition.

Express, 1963, from the Permanent Collection of the Museo Thyssen-Bornemisza, is one of the first paintings in which Rauschenberg used silkscreen, a technique that allowed the artist to use photographs in his canvases to create large-scale collages. The exhibition focuses on this group of works created in the 1960s, which make repeated use of Rauschenberg’s unique iconography.

Ed. Fundación Colección Thyssen-Bornemisza, 2008.

21 x 24 cm. 100 pages. 55 illustrations. Paperback.

Spanish edition with an appendix in English

The 22nd exhibition in the Contexts of the Permanent Collection series will be devoted to Pieter Saenredam (1597-1665), one of the most notable painters of the 17th century, swo devoted much of his oeuvre to the depiction of buildings, seen from both inside and outside. Saenredam was also a pioneer in his investigation of perspectie and in his use of preparatory sdetches and measurements taken in situ, which provided the starting-point for his paintings. These practices distinguish him from his predecessors and from other contemporary artists. Saenredam produced numerous preparatory sketches in Haarlem where he lived, and he also moved to other villages and cities such as Assendelft, Utrecht, Amsterdam, Rhenen and Alkmaar in order to draw and take measurementes. This exhibition will offer a surey of his work and will include his finest and most exquisitely painted compositiones created over the course of his career.

Made exclusively for Thyssen-Bornemisza Museum

"Les Vessenots" in Auvers, 1890, by Vincent van Gogh

Made exclusively for Thyssen-Bornemisza Museum

Portrait of Giovanna Tornabuoni, 1489-1490, by Domenico Ghirlandaio.

Wood

Designed exclusively for Thyssen-Bornemisza Museum, inspired by Bathers on a Beach, 1915, by Walt Kuhn.

Made for Thyssen-Bornemisza Museum

Covers made of Silk, silver logotype.

Placemat exclusively made for the Museo Thyssen-Bornemisza, based on William Merritt Chase's The Kimono.

Linen, 48 x 33 cm. Includes napkin. 38 x 38 cm.

Bull's head designed exclusively for the Museo Thyssen-Bornemisza.

Wicker. 45 x 40 x 35 cm.

Photo by Edward Quinn; Picasso with a bull-headed cane.

Bull's head designed exclusively for the Museo Thyssen-Bornemisza.

Wicker. 45 x 40 x 35 cm.

Photo by Edward Quinn. Picasso with a bull-headed cane.

Designed exclusively for Thyssen-Bornemisza Museum, inspired by Coming and Going, Matinique, 1887, by Paul Gauguin.

Carmen Thyssen-Bornemisza Collection

23 cm.

Designed exclusively for Thyssen-Bornemisza Museum.

Plastic cover