{"title":"Libros con 5%","description":"","products":[{"product_id":"cat-isabel-quintanilla-tapa-dura-espa-ol","title":"Isabel Quintanilla. Exhibition catalogue. Hardcover Spanish.","description":"\u003cp\u003eExhibition at the Museo Nacional Thyssen-Bornemisza from 27 February to 2 June 2024. Isabel Quintanilla has not until now received the recognition she deserves as one of the great figures of Spanish painting in the second half of the 20th century. Since the 1970s, her work has been frequently exhibited in various cities in Germany and has been acquired by museums and collectors in that country, which has prevented her from becoming better known in Spain. Half of this exhibition, which is reflected in this catalogue, is that recovered production. The curator and author, Leticia de Cos, has built an artistic and at the same time vital itinerary through Quintanilla's pictorial genres and themes. Her still lifes combine classical shapes with very contemporary objects, such as the Duralex glass, the telephone or the sewing machine (with which the artist's mother supported the family) that evoke a time and a country. Quintanilla is a painter of lived reality and a large part of her work deals with the spaces she inhabited: the bedroom, the kitchen, the bathroom, the sewing corner and the artist's studio. Although almost always empty of figures, these interiors are filled with the presence of the characters in her life, her husband and her son. Everything exudes intimacy: the windows that receive light from outside and the doors that take us further inside. An interlude on the path is dedicated to Isabel Quintanilla's companions and friends; the three painters who formed part of the group of realists in Madrid: Esperanza Parada, Amalia Avia and María Moreno. Then we go out to the landscape and the city, to the countryside horizon and the urban views. And the tour concludes with those intermediate spaces, the patios and gardens, which are so constant and so characteristic of the Madrid painter. One of the most valuable contributions of the curator's essay in the catalogue is the inscription of Quintanilla in the history of European painting. From Pompeian frescoes to the courtyards of Pieter de Hooch and the interiors of Samuel van Hoogstraten, the mysterious rooms of Vilhelm Hammershøi or the landscapes of Aureliano de Beruete.\u003c\/p\u003e\n\n \u003cp\u003eAuthor: Leticia de Cos Martín (curator of the exhibition)\u003c\/p\u003e\n\n\u003cp\u003e Dimensions: 22 x 30 cm (width x height).\u003c\/p\u003e\n\n\u003cp\u003e 200 pages. Dutch-style hardcover binding with cloth on the spine and lining sheets, endpapers and headboards.\u003c\/p\u003e\n\n\u003cp\u003e ISBN: 9788417173838\u003c\/p\u003e\n\n\u003cp\u003e Spanish Language\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44288015401113,"sku":"PP00274","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00274_cata_logo_tapa_dura_isabel_quintanilla_to_1.jpg?v=1715620805"},{"product_id":"cat-rosario-de-velasco","title":"Rosario de Velasco. Exhibition catalogue. Hardcover Spanish.","description":"\u003cp\u003e\"Exhibition at the Thyssen-Bornemisza National Museum from June 18 to September 15, 2024.\u003c\/p\u003e\n\u003cp\u003e \u003cspan dir=\"\" z=\"\" y=\"\" x=\"\" r=\"\" k=\"\" d=\"\" class=\"\"\u003eWith the collaboration of the Community of Madrid and the Madrid City Council.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e This publication, like the exhibition it accompanies, highlights Rosario de Velasco's career during the first decades of her artistic production, from the 1920s to the early 1940s. Through more than fifty paintings, drawings, and watercolors, the exhibition aims to rediscover and showcase the work of one of the least known artists of this period in Spain until now, yet one who had an outstanding career in her time.\u003c\/p\u003e\n\u003cp\u003e Rosario de Velasco's painting from this period falls within the new Spanish figuration of the 1930s, influenced by the new realisms that emerged after the First World War in opposition to the avant-garde movements of the early 20th century—a movement known as the \"return to order.\" Thus, the renewed interest in classicism represented by the magazine Valori Plastici in Italy, Picasso's classical leanings during this period, and the realism of the German New Objectivity movement had a significant impact on the innovative currents in Spain. When Rosario de Velasco presented her iconic work Adam and Eve, the connection to the new avant-garde is evident, but she also echoed the Cubist lesson in terms of spatial arrangement. Rosario de Velasco's still lifes, many inserted within larger compositions, are points of spatial dislocation. The Early Renaissance was also a cornerstone of her influences, which can be recognized in works such as Maternity, Washerwomen, and Three Children.\u003c\/p\u003e\n\u003cp\u003e Authors: Toya Viudes de Velasco and Miguel Lusarreta\u003cbr\u003e (commissioners), Estrella de Diego, Víctor Ugarte\u003cbr\u003e Farrerons and Elena Rodríguez Carballo\u003c\/p\u003e\n\u003cp\u003e Dimensions: 19 x 24 cm (width x height)\u003c\/p\u003e\n\u003cp\u003e 144 pages. Hardcover binding, chromo-plated boards, with glued chromo-plated endpapers and headbands.\u003c\/p\u003e\n\u003cp\u003e ISBN: 9788417173890\u003c\/p\u003e\n\u003cp\u003e Spanish\"\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827775467673,"sku":"PP00278","price":28.85,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/to_1.jpg?v=1726487015"},{"product_id":"cat-memoria-colonial-tapa-dura-espa-ol","title":"Colonial Memory. Exhibition catalogue. Hardcover (Bilingual edition Spanish + English)","description":"\u003cp\u003e\"Authors: Juan Ángel López-Manzanares, Alba Campo Rosillo, Yeison F. García López, Andrea Pacheco González, Valika Smeulders and José Luis Villacañas.\u003c\/p\u003e\n\u003cp\u003e Dimensions: 21 x 28 cm (width x height)\u003c\/p\u003e\n\u003cp\u003e 232 pages. Hardcover binding, chrome-plated boards.\u003c\/p\u003e\n\u003cp\u003e ISBN: 9788417173906\u003c\/p\u003e\n\u003cp\u003e Language: Spanish with appendix of texts in English\u003c\/p\u003e\n\u003cp\u003e Exhibition at the Thyssen-Bornemisza National Museum from June 25 to October 20, 2024.\u003c\/p\u003e\n\u003cp\u003e Colonial Memory in the Thyssen-Bornemisza Collections is a reinterpretation of a selection of 73 works, comprised exclusively of artworks from the Thyssen-Bornemisza National Museum, the Carmen Thyssen Collection, and the Thyssen-Bornemisza Art Contemporary Collection (TBA21). It spans a significant portion of Western art history, from the 17th century to the present day. The exhibition analyzes the (not always explicit and almost always ignored) imprint on art of the major features of European colonialism: the overexploitation of overseas territories and their populations, the racial construct that imposed a hierarchy based on skin color, slavery and violent domination, the idealization of the landscape and life in the colonies, the sexualization of the inhabitants of colonized territories (especially women), and finally, testimonies of resistance, from maroon communities to the struggle for civil rights.\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827776254105,"sku":"PP00280","price":40.38,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/catalogo_memoria_colonial_to.jpg?v=1726487014"},{"product_id":"cat-memoria-colonial-rustica-espa-ol","title":"Colonial Memory. Exhibition catalogue. Paperback (Bilingual edition Spanish + English)","description":"\u003cp\u003eAuthors: Juan Ángel López-Manzanares, Alba Campo Rosillo, Yeison F. García López, Andrea Pacheco González, Valika Smeulders, and José Luis Villacañas.\u003c\/p\u003e\n\u003cp\u003eDimensions: 21 x 28 cm (width x height)\u003c\/p\u003e\n\u003cp\u003e232 pages. Paperback edition, with flaps\u003c\/p\u003e\n\u003cp\u003eISBN: 9788417173913\u003c\/p\u003e\n\u003cp\u003eLanguage: Spanish \u003cspan\u003ewith an appendix of texts in English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExhibition at the Museo Nacional Thyssen-Bornemisza from June 25 to October 20, 2024.\u003c\/p\u003e\n\u003cp\u003eColonial Memory in the Thyssen-Bornemisza Collections is a re-reading of a selection of 73 works, composed exclusively of artworks from the Museo Nacional Thyssen-Bornemisza, the Carmen Thyssen Collection, and the Thyssen-Bornemisza Art Contemporary (TBA21) Collection, spanning a long period of Western art history from the 17th century to the present day. It analyzes the footprint in art (not always explicit and almost always ignored) of the major features of European colonialism: the overexploitation of overseas territories and their populations, the racial construction that imposes a hierarchy based on skin color, slavery and violent domination, the idealization of the landscape and life in the colonies, the sexualization of the inhabitants of colonized territories (especially women), and finally, testimonies of resistance, from maroonage to the struggle for civil rights.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827783528601,"sku":"PP00279","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/catalogo_memoria_colonial_ru_stica_to.jpg?v=1726487016"},{"product_id":"cat-terrafilia-mas-alla-de-lo-humano-en-las-colecciones-thyssen-bornemisza","title":"Catalogue Terrafilia. Beyond the Human in the Thyssen-Bornemisza Collections","description":"\u003cp\u003eTerrafilia. Beyond the Human in the Thyssen-Bornemisza Collections\u003c\/p\u003e\n\u003cp\u003eSpanish edition with appendix of texts in English\u003c\/p\u003e\n\u003cp\u003eEdited by Daniela Zyman and Alex Martin Rod\u003c\/p\u003e\n\u003cp\u003eAuthors: Báyò Akómoláfé; Marisol de la Cadena; Lorraine Daston; Malcom Ferdinand; Macarena Gómez-Barris; Eva Hayward and Ingo Niermann; Ayrson Heráclito; Michael Marder; Álex Martín Rod; Jason Mohaghegh; John Tresch; Daniela Zyman\u003c\/p\u003e\n\u003cp\u003eTerrafilia, a term that combines the words Terra (Earth) and filia (love and friendship), expresses a deep connection of affection and responsibility towards the Earth and its inhabitants. However, loving the Earth is different from loving nature. It means pledging allegiance to animals, plants, terrestrial beings and supernatural creatures, while rethinking humanity's place within the intertwined web of life. This exhibition uses art to imagine and guide us towards transformative ways of being in the world, highlighting kinship between species, new types of collectivities and planetary care. It proposes a readjustment of cultural and political spaces beyond the human, paving the way for a new era of ecological and planetary thinking.\nOrganised in collaboration with TBA21 Thyssen-Bornemisza Art Contemporary, Terrafilia brings together around a hundred works spanning five centuries and covering an evocative spectrum of artistic and intellectual explorations that reveal the ","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260088566136,"sku":"PP00293","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00293_cat_logo_terrafilia_to_1.jpg?v=1756321132"},{"product_id":"catalogo-marina-vargas-revelaciones","title":"Catalogue ‘Marina Vargas Revelations’.\r","description":"\u003cp\u003eEdici\u0026oacute;n en espa\u0026ntilde;ol con ap\u0026eacute;ndice de textos en ingl\u0026eacute;s\u003c\/p\u003e\r\n\u003cp\u003eFormat: 165 x 240 mm (W x H)\u003c\/p\u003e\r\n\u003cp\u003e128 pages\u003c\/p\u003e\r\n\u003cp\u003eSoftcover binding\u003c\/p\u003e\r\n\u003cp\u003eISBN: 978-84-17173-98-2\u003c\/p\u003e\r\n\u003cp\u003eAuthors: Sem\u0026iacute;ramis Gonz\u0026aacute;lez and Marina Vargas\u003c\/p\u003e\r\n\u003cp\u003eThe Kora programme, which each year presents an exhibition at the Museo Nacional Thyssen-Bornemisza dedicated to a living Spanish artist, celebrates its eighth edition with the exhibition Revelaciones de la artista Marina Vargas (Revelations by the artist Marina Vargas). The title alludes at the same time to the manifestation of the sacred and the unveiling of what has always been hidden and silenced: the figures and voices of women. Revelaciones is both an unprecedented exhibition and an extension of the great themes - the great obsessions - of Vargas's work, and of her intense neo-baroque aesthetic, expressed in a rich variety of media.\u003c\/p\u003e\r\n\u003cp\u003eThe exhibition and what is exhibited in this catalogue is not a mere gathering of independent works of art, but a total creation in which space and colour, paintings and sculptures, objects and words are integrated, and where the artist incorporates the pieces from the Thyssen-Bornemisza collection that she has chosen, such as Hans Cranach's Hercules at the Court of Omphale, Petrus Christus's The Virgin of the Dry Tree or the Angels of the Angels.\u003c\/p\u003e\r\n\u003cp\u003epieces from the Thyssen-Bornemisza collection that she has chosen, such as Hans Cranach's Hercules at the Court of Omphale, Petrus Christus's Virgin of the Dry Tree and Della Robbia's Adoring Angels. Each space surprises us with its own symbolic language. In the first part, devoted to the \u0026lsquo;Word\u0026rsquo;, are the phrases in sign language, taken from sources as diverse as the apocryphal Gospel of Mary Magdalene and modern-day feminist slogans.\u003c\/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\u003cp\u003eIn the second part, on the \u0026lsquo;Vision\u0026rsquo;, the ceramic crabs descend the wall and allude to the cancer that the artist lived through and which determined her creation. In the third part, on the \u0026lsquo;Body\u0026rsquo;, are the two inverted Piet\u0026agrave;s - Jesus holding his Mother: the black Piet\u0026agrave; hanging from the ceiling and the cracked Piet\u0026agrave; on the floor. The last part, the black room, is dominated by the magnificent sculpture of Santa Mar\u0026iacute;a Egipc\u0026iacute;aca, by Luis Salvador Carmona, on loan from the National Museum of Sculpture in Valladolid.\u003c\/p\u003e\r\n\u003cp\u003eSculpture in Valladolid, surrounded by the drawings of the tarot arcana, which have been setting the rhythm of the exhibition and are now brought together as if in a litany.\u003c\/p\u003e\r","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260148564344,"sku":"PP00290","price":17.31,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00290_catalogo_marina_vargas_to.jpg?v=1756326174"},{"product_id":"catalogo-proust-y-las-artes-td","title":"Catalogue \"Proust and the Arts\" Hardcover Spanish\r","description":"\u003cp\u003eLanguage: Spanish\u003c\/p\u003e\r\n\u003cp\u003eFormat: 16,8 x 24 cm\u003c\/p\u003e\r\n\u003cp\u003ePages: 336 pages\u003c\/p\u003e\r\n\u003cp\u003eBinding: hardcover, chrome-plated hardback\u003c\/p\u003e\r\n\u003cp\u003e136 catalogue works, including paintings, drawings, illustrations and books. Includes chronology and bibliography\u003c\/p\u003e\r\n\u003cp\u003eAuthors: Mauro Armi\u0026ntilde;o, Fernando Checa Cremades, Thierry Laget, Francisco P\u0026eacute;rez de los Cobos Orihuel and Jean-Yves Tadi\u0026eacute;\u003c\/p\u003e\r\n\u003cp\u003eISBN: 9788417173999\u003c\/p\u003e\r\n\u003cp\u003eThis publication, like the exhibition it covers, deals with the importance of art in the work of one of the most influential writers of the 20th century, Marcel Proust (Auteuil, 1871 - Paris, 1922), renowned in literature as well as in philosophy and art theory. The aesthetic ideas that Proust develops in his work, the artistic, monumental and landscape environments that surrounded him and which he recreates in his books, as well as the contemporary or past artists who served as a stimulus for him are some of the aspects that articulate this project. The aim is to highlight this link and the interrelationship between art and his figure, his life and his work.\u003c\/p\u003e\r\n\u003cp\u003eTo understand Proust, it is important to know the Paris in which he lived, that is, the cosmopolitan and wealthy capital of the Third Republic, its great transformation after the urban reforms of Baron Hausmann, with the appearance of electricity, cars, shows, restaurants and caf\u0026eacute;s. Proust was fascinated not only by the arts, but also by the modernity that was so much in vogue at the end of the 19th century. The image of modernity created by the Impressionist painters through their depiction of the streets and other atmospheres of Paris is at the basis of Proustian aesthetics: all this would mark his biography as well as his writings.\u003c\/p\u003e\r\n\u003cp\u003eOne of his first published works, Los placeres y los d\u0026iacute;as (1896), already shows his early taste for the arts, music, theatre and, especially, painting and his frequent visits to the Louvre Museum. This interest continued in his greatest work, the novel In Search of Lost Time, published in seven parts between 1913 and 1927. The Paris of the Third Republic, especially the area around the Champs-Elys\u0026eacute;es, the Bois de Boulogne and the aristocratic palaces of the Faubourg Saint-Germain, and the beaches and coasts of northern France, are some of the settings in which the novel takes place and which painters such as Manet, Pissarro, Renoir, Monet, Boudin and Dufy depicted in their paintings. The importance of the theatre in Proust's work is also reflected in the impressive painting by Georges Clairin, from the Petit Palais museum in Paris, depicting Sarah Bernhardt, on which he based, among others, the character of Berma, who is omnipresent throughout the novel.\u003c\/p\u003e\r\n\u003cp\u003eEmphasis is also placed on one of the most outstanding themes in Proust's work, that of the creation and consolidation in the last decades of the 19th century of a new and modern discipline, the History of Art, on his fascination for a city like Venice, to which he travelled twice, on his interest in cathedrals and Gothic architecture and on the writer's not so well known \u0026lsquo;Spanish connection\u0026rsquo; through the figures of Mariano Fortuny y Madrazo and Raimundo de Madrazo.\u003c\/p\u003e\r\n\u003cp\u003eThis tour includes paintings by Rembrandt, Vermeer, Van Dyck, Watteau, Turner, Fantin Latour, Manet, Monet, Renoir and Whistler, among others, a sculpture by Antoine Bourdelle and the aforementioned designs by Fortuny and other artists of the period, as well as a selection of Proust's books.\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260148597112,"sku":"PP00288","price":33.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/cat_logo_proust_to.jpg?v=1756326175"},{"product_id":"catalogo-isabel-coixet-collages-aprendizaje-en-la-desobediencia","title":"Isabel Coixet: Collages. Learning in Disobedience","description":"\u003cp\u003eBilingual edition, Spanish and English\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003ePerhaps it is true that the best-told stories are those that are put together from snippets and fragments; those that expect and require the viewer to make the effort to piece together the ultimate meaning, to fill in the gaps left by the narrative. Cinema knows a lot about that, which is why we always go back for more. After over a century of the cinematic gaze, we now know that seeing is not enough. There must be room for divination.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eBut I am not sure if linking collage with filmmaking and its need for fragments might not be a banal way of approaching the paradox – even though cinema is closely connected with the fragmentary nature of collage, the possibilities of a reality made up of gaps, despite its superimposed appearance. I say banal because the collages shown here are the work of an outstanding film director:\u003c\/p\u003e\n\u003cp\u003eIsabel Coixet.\u003c\/p\u003e\n\u003cp\u003eAuthor: Estrella de Diego\u003c\/p\u003e\n\u003cp\u003eFormat: 24 x 31 cm\u003c\/p\u003e\n\u003cp\u003e48 pages\u003c\/p\u003e\n\u003cp\u003ePaperback binding, saddle-stitched with two staples\u003c\/p\u003e\n\u003cp\u003eISBN: 979-13-87729-03-5\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260150268280,"sku":"PP00292","price":17.31,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/cat_logo_isabel_coixet_to.jpg?v=1756326290"},{"product_id":"cat-esp-rustica-warhol-pollock-y-otros-espacios-americanos","title":"Spanish paperback catalogue \"Warhol, Pollock and other American spaces\"","description":"\u003cp\u003e \u003cspan\u003eClosed format: 23 x 30 cm. Pages: 152 pages. Contents: 94 catalogued works. Includes an essay by Estrella de Diego, curator of the exhibition, an essay by Patrick Moore, former director of the Warhol Museum, and the transcript of a conversation between Estrella de Diego, Guillermo Kuitca (Argentine painter), and Guillermo Solana (artistic director of the Thyssen-Bornemisza National Museum). Produced with the support of the Pollock-Krasner Foundation.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePaperback binding in Spanish.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eISBN 9791387729097\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eCatalogue of the exhibition held at the Thyssen-Bornemisza National Museum from October 21, 2025 to January 25, 2026.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eTraditionally, art history has presented Abstract Expressionism and Pop Art, and therefore each of their most famous representatives—Jackson Pollock and Andy Warhol—as opposing poles belonging to two distinct eras and styles: abstraction and figurative art. Furthermore, Pollock has been portrayed as an artist within the lineage of great creators, inspired and original, while for some, Warhol has been a mere appropriator of images and consumer goods. But what if things were actually different? What if there were affinities between Warhol and Pollock, beyond the former's oft-mentioned fascination with the latter? After all, Pollock was already a celebrated artist when Warhol entered the scene. He was a famous artist, and he died in 1956 in a modern and inexplicable car accident, at the height of his career, just like James Dean.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIt's rarely discussed how Pollock and Warhol—and many other artists of that era—transitioned between abstraction and figuration at different points in their careers. Nor does anyone seem to pay attention to how returns in visual art never truly revert to the starting point, nor do they arrive without transformation. The perspective invented by the Italian Quattrocento—the vanishing point that governs Western space in figurative art—is completely rewritten in some of Pollock's works, and this subversion of traditional perspective marks Warhol's spaces when he considers returning to a figuration that is, to a certain extent, ambiguous, flat, and without a clear vanishing point.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eWhile Pollock's abstractions retain figurative elements, Warhol's figurations shatter traditional space—the figure of Elvis, seemingly floating on a bottomless background, serves as an example. Perhaps in his works, Warhol speaks of space itself, and not merely of consumer goods and figures. In recent years, conventional art history has been reread and re-examined; it has rescued forgotten artists, countries with supposedly secondary roles, and historical moments once dismissed as less relevant to visual art and its evolution. Now, perhaps, the time has come to break down the categories that govern a way of thinking based on opposites that are often not truly opposites.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Ultimately, history is a journey. A line, a thread like those Pollock pursues in his paintings and that Warhol takes up again. For the first time in dialogue, Warhol and Pollock—along with other great American artists—invite us to look once more.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eText by Estrella de Diego (exhibition curator)\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55322673807736,"sku":"PP00298","price":28.85,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00298_CATALOGOWYPRUSTICAESPTO.jpg?v=1760941930"},{"product_id":"cat-esp-tdura-warhol-pollock-y-otros-espacios-americanos","title":"Hardcover catalog \"Warhol, Pollock and Other American Spaces\"","description":"\u003cp\u003e \u003cspan\u003eClosed format: 23 x 30 cm. Pages: 152 pages. Contents: 94 catalogued works. Includes an essay by Estrella de Diego, curator of the exhibition, an essay by Patrick Moore, former director of the Warhol Museum, and the transcript of a conversation between Estrella de Diego, Guillermo Kuitca (Argentine painter), and Guillermo Solana (artistic director of the Thyssen-Bornemisza National Museum). Produced with the support of the Pollock-Krasner Foundation.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eStraight spine, headbands, printed endpapers; printed lining; stamping on cover and spine; 8-page fold-out sewn in the center of the sheet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eISBN 9791387729080\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Catalogue of the exhibition held at the Thyssen-Bornemisza National Museum from October 21, 2025 to January 25, 2026.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eTraditionally, art history has presented Abstract Expressionism and Pop Art, and therefore each of their most famous representatives—Jackson Pollock and Andy Warhol—as opposing poles belonging to two distinct eras and styles: abstraction and figurative art. Furthermore, Pollock has been portrayed as an artist within the lineage of great creators, inspired and original, while for some, Warhol has been a mere appropriator of images and consumer goods. But what if things were actually different? What if there were affinities between Warhol and Pollock, beyond the former's oft-mentioned fascination with the latter? After all, Pollock was already a celebrated artist when Warhol entered the scene. He was a famous artist, and he died in 1956 in a modern and inexplicable car accident, at the height of his career, just like James Dean.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIt's rarely discussed how Pollock and Warhol—and many other artists of that era—transitioned between abstraction and figuration at different points in their careers. Nor does anyone seem to pay attention to how returns in visual art never truly revert to the starting point, nor do they arrive without transformation. The perspective invented by the Italian Quattrocento—the vanishing point that governs Western space in figurative art—is completely rewritten in some of Pollock's works, and this subversion of traditional perspective marks Warhol's spaces when he considers returning to a figuration that is, to a certain extent, ambiguous, flat, and without a clear vanishing point.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eWhile Pollock's abstractions retain figurative elements, Warhol's figurations shatter traditional space—the figure of Elvis, seemingly floating on a bottomless background, serves as an example. Perhaps in his works, Warhol speaks of space itself, and not merely of consumer goods and figures. In recent years, conventional art history has been reread and re-examined; it has rescued forgotten artists, countries with supposedly secondary roles, and historical moments once dismissed as less relevant to visual art and its evolution. Now, perhaps, the time has come to break down the categories that govern a way of thinking based on opposites that are often not truly opposites.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Ultimately, history is a journey. A line, a thread like those Pollock pursues in his paintings and that Warhol takes up again. For the first time in dialogue, Warhol and Pollock—along with other great American artists—invite us to look once more.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIncludes an essay by Estrella de Diego, curator of the exhibition, an essay by Patrick Moore, former director of the Warhol Museum,\u003c\/span\u003e \u003cb\u003eand the transcript of a conversation between Estrella de Diego, Guillermo Kuitca (Argentine painter), and Guillermo Solana (artistic director of the Thyssen-Bornemisza National Museum)\u003c\/b\u003e \u003cspan\u003e. Produced with the support of the Pollock-Krasner Foundation.\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55322673873272,"sku":"PP00299","price":33.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00299_CATWYPTAPADURATO.jpg?v=1760942296"},{"product_id":"catalogo-picasso-y-klee-en-la-coleccion-heinz-berggruen","title":"Catalogue of Picasso and Klee in the Heinz Berggruen Collection (Spanish with texts in English)","description":"\u003cp\u003eThe Thyssen-Bornemisza National Museum and the Berggruen Museum in Berlin present a visual and intellectual dialogue between Pablo Picasso (1881-1973) and Paul Klee (1879-1940), two visionary artists who transformed modern art forever. Their successive, often antagonistic but equally revolutionary approaches, which led them to deconstruct reality through a radically different artistic language, forever changed how contemporary man sees and engages with the world.\u003c\/p\u003e\n\u003cp\u003eThe exhibition also highlights the affinities between the two museums, both public institutions created after the acquisition of private collections. Heinz Berggruen (1914-2007), an influential 20th-century art dealer and collector, and his contemporary, the magnate Hans Heinrich Thyssen-Bornemisza (1921-2002), shared a desire to create museums so that the works they had amassed over decades would be properly preserved for posterity and enjoyed by the public.\u003c\/p\u003e\n\u003cp\u003eThe exhibition and its catalogue are structured in four sections dedicated to the themes and genres that both Picasso and Klee worked on, which include some paintings from the Thyssen, to emphasize the link that exists between the two collections: Portraits and masks, Places, Objects and Harlequins and nudes.\u003c\/p\u003e\n\u003cp\u003eFormat: 168 x 240 mm\u003c\/p\u003e\n\u003cp\u003eLanguage: Spanish with appendix with texts in English.\u003c\/p\u003e\n\u003cp\u003e176 pages in total, of which\u0026nbsp;144 printed on coated paper, 32 printed on colored offset paper\u003c\/p\u003e\n\u003cp\u003eHardcover binding with stamping and printed chromolithographs on the cover\u003c\/p\u003e\n\u003cp\u003eISBN: 979-13-87729-11-0\u003c\/p\u003e\n\u003cp\u003eAuthors: Paloma Alarcó and Gabriel Montua (exhibition curators); Marta Ruiz del Árbol and Natalie Zimmer\u003c\/p\u003e\n\u003cp\u003e57 catalogued works reproduced in full color\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55342023934328,"sku":"PP00301","price":26.92,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00301_CATPICASSOKLEETO.jpg?v=1761656585"},{"product_id":"catalogo-hammershoi-el-ojo-que-escucha","title":"Catalogue \"Hammershoi: The Listening Eye\"","description":"\u003cp\u003eVilhelm Hammershøi (1864-1916) was a Danish painter known for his deliberate and meticulous approach, who created just over 400 works in his 51 years. His refined figurative painting enjoyed success with both the public and critics of his time, a period that coincided with Symbolist, Expressionist, and early Cubist movements. After the artist's death, with the consolidation of the historical avant-garde, his work fell outside the established canon and was largely forgotten. However, since the 1980s, interest in his work, both within and outside Denmark, has steadily increased.\u003c\/p\u003e\n\u003cp\u003eThe Listening Eye alludes to the metaphorical relationship between Hammershøi's painting, the silence it evokes, and his passion for music. In his limited palette, white plays a particularly prominent role, a color that—as Kandinsky noted—conveys a silence full of possibilities and functions similarly to a musical pause: it creates anticipation and is a necessary condition for listening. The empty spaces, the introspective figures, and the apparent absence of action in Hammershøi's paintings contribute to enhancing this silence, conveyed by the color and the gray glazes that unify his works. The exhibition is organized into sections dedicated to portraits, figures, interiors, and urban and rural landscapes, offering access to a small universe—that of his immediate surroundings—which the artist orders and renders through meticulous harmony.\u003c\/p\u003e\n\u003cp\u003eSpanish edition with appendix of texts in English\u003c\/p\u003e\n\u003cp\u003eHardcover binding lined with paper with rounded spine and printed chrome on the cover; stamping on the cover and spine; endpapers and headbands.\u003c\/p\u003e\n\u003cp\u003eFormat: 240 x 290 mm\u003c\/p\u003e\n\u003cp\u003e232 pages\u003c\/p\u003e\n\u003cp\u003eInterior pages on two types of paper: matte coated for the essay section with images and offset for the appendix of texts in English\u003c\/p\u003e\n\u003cp\u003eAuthors: Clara Marcellán, Ramón Andrés, Jonas Beyer, Sandra Gianfreda and Florian Illies, Peter Norgaard Larsen\u003c\/p\u003e\n\u003cp\u003e97 catalogued works\u003c\/p\u003e\n\u003cp\u003eISBN: 9791387729073\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCatalogue with the support of the\u0026nbsp;\u003c\/span\u003e\u003cspan\u003e\u003cspan data-markjs=\"true\" class=\"markvkpl3sqd9\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eNew\u003c\/span\u003e\u0026nbsp;\u003cspan data-markjs=\"true\" class=\"markpz6371uwm\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eCarlsberg\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;\u003cspan data-markjs=\"true\" class=\"mark26btxu2vy\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eFoundation\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55449777897848,"sku":"PP00304","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00304_CATALOGOHAMMERSHOITO.jpg?v=1770982408"},{"product_id":"irma-alvarez-laviada-dentro-y-fuera-del-marco","title":"Catalogue \"Irma Álvarez-Laviada. Inside and outside the frame\"","description":"\u003cp\u003eTexts: Rocío de la Villa and Irma Álvarez-Laviada\u003c\/p\u003e\n\u003cp\u003e ISBN: 9791387729141\u003c\/p\u003e\n\u003cp\u003e Binding: paperback binding sewn with vegetable thread with blind stitching\u003cbr\u003e on the cover and die-cut.\u003c\/p\u003e\n\u003cp\u003e Pages: 232\u003c\/p\u003e\n\u003cp\u003e Format: 21 x 26 cm\u003c\/p\u003e\n\u003cp\u003e Bilingual edition with texts in Spanish and English\u003c\/p\u003e\n\u003cp\u003e Through the work of Irma Álvarez-Laviada, we approach geometric abstraction from a gender perspective. The attributes of stereotypical masculine and feminine notions—tall and horizontal, hard and soft, essential and subsidiary, full and empty—are called into question. Álvarez-Laviada's works engage with this tradition of object-based painting—from Suprematism and Neoplasticism to Minimalism—deconstructing it through creative processes governed by repetition and its variations, often using industrial materials treated with meticulous craftsmanship.\u003cbr\u003e Catalogue produced with the support of 6a taller and Galeria d'art\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55466828530040,"sku":"PP00305","price":23.08,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/CATALOGOIRMAALVAREZTO.jpg?v=1771594748"}],"url":"https:\/\/tienda.museothyssen.org\/en\/collections\/libros-con-5-o-mas-descuento-en-ficha-producto.oembed","provider":"tienda-museothyssen","version":"1.0","type":"link"}