{"title":"Libros propios para B2B","description":null,"products":[{"product_id":"cat-isabel-quintanilla-tapa-dura-espa-ol","title":"Isabel Quintanilla. Exhibition catalogue. Hardcover Spanish.","description":"\u003cp\u003eExhibition at the Museo Nacional Thyssen-Bornemisza from 27 February to 2 June 2024. Isabel Quintanilla has not until now received the recognition she deserves as one of the great figures of Spanish painting in the second half of the 20th century. Since the 1970s, her work has been frequently exhibited in various cities in Germany and has been acquired by museums and collectors in that country, which has prevented her from becoming better known in Spain. Half of this exhibition, which is reflected in this catalogue, is that recovered production. The curator and author, Leticia de Cos, has built an artistic and at the same time vital itinerary through Quintanilla's pictorial genres and themes. Her still lifes combine classical shapes with very contemporary objects, such as the Duralex glass, the telephone or the sewing machine (with which the artist's mother supported the family) that evoke a time and a country. Quintanilla is a painter of lived reality and a large part of her work deals with the spaces she inhabited: the bedroom, the kitchen, the bathroom, the sewing corner and the artist's studio. Although almost always empty of figures, these interiors are filled with the presence of the characters in her life, her husband and her son. Everything exudes intimacy: the windows that receive light from outside and the doors that take us further inside. An interlude on the path is dedicated to Isabel Quintanilla's companions and friends; the three painters who formed part of the group of realists in Madrid: Esperanza Parada, Amalia Avia and María Moreno. Then we go out to the landscape and the city, to the countryside horizon and the urban views. And the tour concludes with those intermediate spaces, the patios and gardens, which are so constant and so characteristic of the Madrid painter. One of the most valuable contributions of the curator's essay in the catalogue is the inscription of Quintanilla in the history of European painting. From Pompeian frescoes to the courtyards of Pieter de Hooch and the interiors of Samuel van Hoogstraten, the mysterious rooms of Vilhelm Hammershøi or the landscapes of Aureliano de Beruete.\u003c\/p\u003e\n\u003cp\u003eSpanish Language\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44288015401113,"sku":"PP00274","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00274_cata_logo_tapa_dura_isabel_quintanilla_to_1.jpg?v=1715620805"},{"product_id":"catalogo-noemi-iglesias","title":"Exhibition catalogue \"Noemi Iglesias Barrios. Love Me Fast\" (bilingual edition Spanish + English)","description":"\u003cp\u003e Texts: Rocío de la Villa\u003c\/p\u003e\n\n\u003cp\u003e Edited by Museo Nacional Thyssen-Bornemisza\u003c\/p\u003e\n\n\u003cp\u003e ISBN: 9788417173821\u003c\/p\u003e\n\n\u003cp\u003e Binding: hardcover\u003c\/p\u003e\n\n\u003cp\u003e Pages: 115\u003c\/p\u003e\n\n\u003cp\u003e Format: 22.5 x 17.5 cm\u003c\/p\u003e\n\n\u003cp\u003e Bilingual edition with texts in Spanish and English\u003c\/p\u003e\n\n \u003cp\u003eThis exhibition is the seventh installment of the annual \u003ci\u003eKora\u003c\/i\u003e programme at the Museo Nacional Thyssen-Bornemisza, dedicated to Spanish women artists working from a gender perspective.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eOn this occasion, the project revolves around the work of Noemi Iglesias Barrios (Langreo, 1987), with around twenty pieces that dialogue with some paintings from the museum's collections and that are made in media as diverse as bronze, glass, video, photography and, mainly, porcelain.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eIn\u003c\/span\u003e \u003cem\u003eLove Me Fast,\u003c\/em\u003e \u003cspan\u003ethe Asturian artist talks about romantic love in the age of social media, an idealised love on a level of consumerist happiness, confronted with the toxic relationships that often occur. The result is a series of pieces of great beauty that, at the same time, question what is considered art and craft in the history of art, and currently in contemporary art in the 21st century.\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44288015466649,"sku":"PP00272","price":14.42,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00272_catalogo_exposicion_noemi_barrios_to.jpg?v=1715620804"},{"product_id":"fra-angelico-la-virgen-de-la-humildad-restauracion-y-estudio-tecnico","title":"Fra Angelico The Virgin of Humility. Technical study and restoration of the work","description":"\u003cp\u003e \u003cspan\u003e\u003cspan\u003eAuthors: Ubaldo Sedano, Susana Pérez, Andrés Sánchez, Hélène Desplechin and María Jofre\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eISBN: 9788417173852\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eFormat 16.8 x 23 cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e84 pages\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSoftcover\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSpanish Language\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eFra Angelico's Madonna of Humility is a unique masterpiece of the Florentine Renaissance that combines the exquisite refinement of the International Gothic with the vigorous realism of Masaccio, and the mastery of traditional craftsmanship with the new conception of disegno. Acquired by the first Baron Thyssen-Bornemisza in March 1935 at a sale of some pieces from the famous Morgan Library collection, Fra Angelico's panel is now housed at the Museu Nacional d'Art de Catalunya in Barcelona. It has been exceptionally brought to Madrid for a long period of time to be restored to its original splendour after a restoration and in-depth study in our workshop. Once this treatment was completed, it was given a magnificent display in the galleries of our collections, accompanied by two instruments like those depicted in the painting: a lute and a portable organetto.\u003c\/p\u003e\n\n \u003cp\u003eThe panel has been analysed in our laboratory using X-rays, infrared reflectography, material analysis and exhaustive photographic documentation. All of this has enabled us to accurately determine the technique and process of execution of the work, with its variations or corrections. For example, the X-ray shows the incisions with which the painter initially placed the eyes, nose and mouth; but in the final layer he rectified this location and painted the eyes in a higher position. The restoration has removed the aged layers of varnish that tarnished the appearance of the work, and the nuances of the flesh tones, the balance of the tonalities and the spatial depth have been recovered. The frame, which was damaged, has also been restored. All of this is documented in this publication.\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44288017924249,"sku":"PP00276","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/restauracion_fra_angelico_to.jpg?v=1715620817"},{"product_id":"catalogo-robert-nava","title":"Exhibition catalogue: Robert Nava (Bilingual edition Spanish + English)","description":"","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827772682393,"sku":"PP00277","price":17.31,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/robert_nava_to.jpg?v=1726487015"},{"product_id":"catalogo-coleccion-carmen-thyssen","title":"Carmen Thyssen collection catalogue","description":"\u003cp\u003eOn February 9, 2022, Miquel Iceta, the Spanish Minister of Culture and Sport and President of the Thyssen-Bornemisza Collection Foundation, signed the lease agreement guaranteeing the continued presence of 330 works from the Carmen Thyssen Collection at the Thyssen-Bornemisza National Museum for fifteen years. The agreement also stipulated that a significant selection of this collection would be installed in the ground-floor galleries of the museum, formerly dedicated to twentieth-century art. This catalogue documents the new presentation, which aims to emphasize the continuity and coherence of the collection.\u003c\/p\u003e\n\u003cp\u003e The natural axis of the Carmen Thyssen Collection is the evolution of landscape painting over four centuries. The tour begins (Room A) with a masterpiece by Jan Brueghel, The Garden of Eden, and the dialogue, displayed on opposite walls, between 17th-century Dutch rural genre painting and Italian urban veduta, with its pioneer Gaspar van Wittel and the great Venetians Canaletto and Guardi. The itinerary then follows the parallel development of landscape painting in Europe and North America throughout the 19th century. Room B examines North American landscape painting between Romanticism and Naturalism. European Realism (Room C) is magnificently represented by masterpieces by Corot (Solitude) and Van Gogh (Watermill at Gennep), along with other contemporary French and Dutch artists. Room D, dedicated to French Impressionism, is one of the highlights of the tour, featuring seminal works by Monet and Renoir, Pissarro and Sisley. In contrast, Room E showcases late Monet alongside his followers, the American Impressionists. A large space (Room F) is dedicated to Gauguin (centered around his most iconic work, Mata Mua) and his collaborators and followers. Neo-Impressionism and its influence on the evolution toward abstraction are explored in Room G, centered around an important painting by Kandinsky. Room H presents an overview of the early avant-garde movements, focusing on the dialogue between French Fauvism and German Expressionism, with such prominent names as Matisse, Picasso, Braque, Delaunay, Kirchner, Nolde, and Goncharova. The journey concludes (Rooms I and J) with a diverse selection of major avant-garde artists—Léger, Juan Gris, Picabia, and Delvaux, among others—and a special focus on 20th-century American artists, including Georgia O'Keeffe, Reginald Marsh, and Richard Estes.\u003c\/p\u003e\n\u003cp\u003e The exhibited set represents an ideal complement to the rooms dedicated to the museum's permanent collection.\u003c\/p\u003e\n\u003cp\u003e Spanish edition\u003c\/p\u003e\n\u003cp\u003e Hardcover binding, semi-Dutch\u003c\/p\u003e\n\u003cp\u003e Format: 20.5 x 29 cm\u003c\/p\u003e\n\u003cp\u003e 392 pages\u003c\/p\u003e\n\u003cp\u003e Authors: various\u003c\/p\u003e\n\u003cp\u003e ISBN: 9788417173920\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827773468825,"sku":"PP00282","price":33.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/CATALOGO_CARMEN_THYSSEN_ESPANOL_TO_761f1f72-3e60-4ae9-9e3d-24120fe4d8b4.jpg?v=1784878423"},{"product_id":"cat-rosario-de-velasco","title":"Rosario de Velasco. Exhibition catalogue. Hardcover Spanish.","description":"\u003cp\u003e\"Exhibition at the Thyssen-Bornemisza National Museum from June 18 to September 15, 2024.\u003c\/p\u003e\n\u003cp\u003e \u003cspan dir=\"\" z=\"\" y=\"\" x=\"\" r=\"\" k=\"\" d=\"\" class=\"\"\u003eWith the collaboration of the Community of Madrid and the Madrid City Council.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e This publication, like the exhibition it accompanies, highlights Rosario de Velasco's career during the first decades of her artistic production, from the 1920s to the early 1940s. Through more than fifty paintings, drawings, and watercolors, the exhibition aims to rediscover and showcase the work of one of the least known artists of this period in Spain until now, yet one who had an outstanding career in her time.\u003c\/p\u003e\n\u003cp\u003e Rosario de Velasco's painting from this period falls within the new Spanish figuration of the 1930s, influenced by the new realisms that emerged after the First World War in opposition to the avant-garde movements of the early 20th century—a movement known as the \"return to order.\" Thus, the renewed interest in classicism represented by the magazine Valori Plastici in Italy, Picasso's classical leanings during this period, and the realism of the German New Objectivity movement had a significant impact on the innovative currents in Spain. When Rosario de Velasco presented her iconic work Adam and Eve, the connection to the new avant-garde is evident, but she also echoed the Cubist lesson in terms of spatial arrangement. Rosario de Velasco's still lifes, many inserted within larger compositions, are points of spatial dislocation. The Early Renaissance was also a cornerstone of her influences, which can be recognized in works such as Maternity, Washerwomen, and Three Children.\u003c\/p\u003e\n\u003cp\u003e Authors: Toya Viudes de Velasco and Miguel Lusarreta\u003cbr\u003e (commissioners), Estrella de Diego, Víctor Ugarte\u003cbr\u003e Farrerons and Elena Rodríguez Carballo\u003c\/p\u003e\n\u003cp\u003e Dimensions: 19 x 24 cm (width x height)\u003c\/p\u003e\n\u003cp\u003e 144 pages. Hardcover binding, chromo-plated boards, with glued chromo-plated endpapers and headbands.\u003c\/p\u003e\n\u003cp\u003e ISBN: 9788417173890\u003c\/p\u003e\n\u003cp\u003e Spanish\"\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827775467673,"sku":"PP00278","price":28.85,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/to_1.jpg?v=1726487015"},{"product_id":"cat-memoria-colonial-tapa-dura-espa-ol","title":"Colonial Memory. Exhibition catalogue. Hardcover (Bilingual edition Spanish + English)","description":"\u003cp\u003e\"Authors: Juan Ángel López-Manzanares, Alba Campo Rosillo, Yeison F. García López, Andrea Pacheco González, Valika Smeulders and José Luis Villacañas.\u003c\/p\u003e\n\u003cp\u003e Dimensions: 21 x 28 cm (width x height)\u003c\/p\u003e\n\u003cp\u003e 232 pages. Hardcover binding, chrome-plated boards.\u003c\/p\u003e\n\u003cp\u003e ISBN: 9788417173906\u003c\/p\u003e\n\u003cp\u003e Language: Spanish with appendix of texts in English\u003c\/p\u003e\n\u003cp\u003e Exhibition at the Thyssen-Bornemisza National Museum from June 25 to October 20, 2024.\u003c\/p\u003e\n\u003cp\u003e Colonial Memory in the Thyssen-Bornemisza Collections is a reinterpretation of a selection of 73 works, comprised exclusively of artworks from the Thyssen-Bornemisza National Museum, the Carmen Thyssen Collection, and the Thyssen-Bornemisza Art Contemporary Collection (TBA21). It spans a significant portion of Western art history, from the 17th century to the present day. The exhibition analyzes the (not always explicit and almost always ignored) imprint on art of the major features of European colonialism: the overexploitation of overseas territories and their populations, the racial construct that imposed a hierarchy based on skin color, slavery and violent domination, the idealization of the landscape and life in the colonies, the sexualization of the inhabitants of colonized territories (especially women), and finally, testimonies of resistance, from maroon communities to the struggle for civil rights.\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827776254105,"sku":"PP00280","price":40.38,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/catalogo_memoria_colonial_to.jpg?v=1726487014"},{"product_id":"comic-el-condor-y-la-canibal","title":"Comic The Condor and the Cannibal","description":"\u003cp\u003e\u003cem\u003eThe Condor and the Cannibal\u003c\/em\u003e is a co-publication between Astiberri and the Museo Nacional Thyssen-Bornemisza on the occasion of the exhibition \u003cem\u003eColonial Memory in the Thyssen-Bornemisza Collections.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe colonial system lies at the root of Western modernity, and its legacy continues to affect human and geopolitical relations worldwide. Europe advanced in the conquest of rights and freedoms while imposing a regime of racial domination, enslavement, and appropriation of land and raw materials in the \"New World.\"\u003c\/p\u003e\n\u003cp\u003eA condor glides over the city of Quito. A cannibal woman poses for a Dutch painter. A snake slithers down a Brazilian river. An English foreman begins the medicinal exploitation of quinine. A young Quechua sculptor introduces avant-garde into 17th-century religious imagery. The rufous-bellied thrush knows all the stories of the Paraguayan border. And so on.\u003c\/p\u003e\n\u003cp\u003eVíctor Coyote blends the Dutch painters Frans Post and Albert Eckhout with the Quito school of religious art to construct a polychrome reflection on the memory of colonialism, the power of art, natural customs, fiction, and lies.\u003c\/p\u003e\n\u003cp\u003eAuthor: Victor Coyote\u003c\/p\u003e\n\u003cp\u003eSpanish\u003c\/p\u003e\n\u003cp\u003eCo-edition Astiberri Ediciones and Museo Nacional Thyssen-Bornemisza\u003c\/p\u003e\n\u003cp\u003eColor. 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Paperback edition, with flaps\u003c\/p\u003e\n\u003cp\u003eISBN: 9788417173913\u003c\/p\u003e\n\u003cp\u003eLanguage: Spanish \u003cspan\u003ewith an appendix of texts in English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExhibition at the Museo Nacional Thyssen-Bornemisza from June 25 to October 20, 2024.\u003c\/p\u003e\n\u003cp\u003eColonial Memory in the Thyssen-Bornemisza Collections is a re-reading of a selection of 73 works, composed exclusively of artworks from the Museo Nacional Thyssen-Bornemisza, the Carmen Thyssen Collection, and the Thyssen-Bornemisza Art Contemporary (TBA21) Collection, spanning a long period of Western art history from the 17th century to the present day. It analyzes the footprint in art (not always explicit and almost always ignored) of the major features of European colonialism: the overexploitation of overseas territories and their populations, the racial construction that imposes a hierarchy based on skin color, slavery and violent domination, the idealization of the landscape and life in the colonies, the sexualization of the inhabitants of colonized territories (especially women), and finally, testimonies of resistance, from maroonage to the struggle for civil rights.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":44827783528601,"sku":"PP00279","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/catalogo_memoria_colonial_ru_stica_to.jpg?v=1726487016"},{"product_id":"catalogo-munter-tapa-dura","title":"Gabriele Münter. Exhibition catalogue. Hardback. (Spanish + English bilingual edition)","description":"\u003cp\u003eAuthors: Isabelle Jansen, Marta Ruiz del Árbol, and Anna Storm.\u003c\/p\u003e\n\u003cp\u003eDimensions: 20.5 x 28 cm (width x height)\u003c\/p\u003e\n\u003cp\u003e268 pages. Hardcover, paper-lined cover with horizontal chrome plated edges; straight spine.\u003c\/p\u003e\n\u003cp\u003eISBN: 9788417173944\u003c\/p\u003e\n\u003cp\u003eLanguage: Spanish with an appendix of texts in English.\u003c\/p\u003e\n\u003cp\u003eExhibition at the Museo Nacional Thyssen-Bornemisza from November 12 to February 9, 2025.\u003c\/p\u003e\n\u003cp\u003eGabriele Münter (1877–1962) was one of the founders of The Blue Rider (Der Blaue Reiter), the legendary group of Munich-based Expressionist artists. In her works, featuring precise lines and intense colors, the German painter immerses the viewer in her private world. Through her keen eye, lovers, friends, everyday objects, landscapes, and herself are reduced to their essence. \u003c\/p\u003e\n\u003cp\u003eThrough more than a hundred paintings, drawings, prints, and photographs, the catalog presents this exhibition, offering a glimpse into an artist who rebelled against the limitations imposed on women of her time and who managed to become one of the outstanding figures of German Expressionism at the beginning of the 20th century. It begins with an extensive chapter dedicated to her beginnings as an amateur photographer. Her pictorial creation is then presented in a chronological and thematic overview, starting with the works produced during her travels through Europe and North Africa with her partner, Wassily Kandinsky, and continues with an extensive chapter dedicated to her masterpieces from the Blue Rider period. Finally, it focuses on his exile in Scandinavia during the First World War and the different avenues of expression he found after his return to Germany. Throughout her long career, Münter repeatedly demonstrated her adaptability, her tireless desire to experiment, and her lack of prejudice toward anything new or different. \u003c\/p\u003e\n\u003cp\u003eThe exhibition aims to showcase the wealth of work by an artist who is well-known in Germany but who has only recently begun to gain greater relevance in the rest of Europe.\u003c\/p\u003e\n\u003cp\u003eThe exhibition was organized by the Museo Nacional Thyssen-Bornemisza in Madrid, in cooperation with the Gabriele Münter and Johannes Eichner Foundation in Munich and the Städtische Galerie im Lenbachhaus und Kunstbau München in Munich, and in co-production with the Musée d’Art Moderne in Paris and Paris Musées.\u003c\/p\u003e\n\u003cp\u003eThis exhibition was made possible with the support of the Art Mentor Foundation Lucerne and the collaboration of the Community of Madrid.\u003c!--EndFragment--\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":54776895111544,"sku":"PP00284","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/cat_logo_gabriele_m_nter_tapa_dura_to.jpg?v=1732002489"},{"product_id":"cat-terrafilia-mas-alla-de-lo-humano-en-las-colecciones-thyssen-bornemisza","title":"Catalogue Terrafilia. 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It means pledging allegiance to animals, plants, terrestrial beings and supernatural creatures, while rethinking humanity's place within the intertwined web of life. This exhibition uses art to imagine and guide us towards transformative ways of being in the world, highlighting kinship between species, new types of collectivities and planetary care. It proposes a readjustment of cultural and political spaces beyond the human, paving the way for a new era of ecological and planetary thinking.\nOrganised in collaboration with TBA21 Thyssen-Bornemisza Art Contemporary, Terrafilia brings together around a hundred works spanning five centuries and covering an evocative spectrum of artistic and intellectual explorations that reveal the ","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260088566136,"sku":"PP00293","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00293_cat_logo_terrafilia_to_1.jpg?v=1756321132"},{"product_id":"guia-didactica-terrafilia","title":"Terrafilia Teaching Guide\r","description":"\u003cdiv class=\"x_elementToProof\" data-olk-copy-source=\"MessageBody\"\u003e\r\n\u003cp\u003eEducational guide for the temporary exhibition \"Terrafilia. Beyond the Human in the Thyssen-Bornemisza Collections\".\u003cbr \/\u003e \u003cbr \/\u003eTerrafilia, a term that combines the words Terra (Earth) and filia (love and friendship), expresses a deep connection of affection and responsibility for the Earth and its inhabitants. However, loving the Earth is different from loving nature. It means pledging allegiance to animals, plants, terrestrial beings and supernatural creatures, and at the same time, rethinking humanity's place within the interwoven web of life. This exhibition uses art to imagine and guide us towards transformative ways of being in the world, to reveal inter-species kinship, new kinds of collectivities and planetary care. It proposes a readjustment of cultural and political spaces beyond the human, opening the way to a new era of ecological and planetary thinking.\u003cbr \/\u003e \u003cbr \/\u003eOrganised in collaboration with TBA21 Thyssen-Bornemisza Art Contemporary, Terrafilia brings together around a hundred works spanning five centuries and covering an evocative spectrum of artistic and intellectual explorations that reveal the depth and scope of stories that go beyond the human and address a multi-species renewal.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"x_elementToProof\"\u003e\r\n\u003cp\u003eSeven thematic scenarios propose different ways of creating worlds and relating to the Earth through myth, science, dreams, stories, spirituality, land-water relations and political ecology.\u003cbr \/\u003e \u003cbr \/\u003eThis is the didactic guide for this temporary exhibition.\u003cbr \/\u003e \u003cbr \/\u003eSize: 15 x 18 cm. 61 pages\u003cbr \/\u003e \u003cbr \/\u003eISBN 979-13-87729-05-9\u003c\/p\u003e\r\n\u003c\/div\u003e\r","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260088664440,"sku":"PP00294","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00294_guia_didactica_terrafilia_to.jpg?v=1756321139"},{"product_id":"catalogo-marina-vargas-revelaciones","title":"Catalogue ‘Marina Vargas Revelations’.\r","description":"\u003cp\u003eEdici\u0026oacute;n en espa\u0026ntilde;ol con ap\u0026eacute;ndice de textos en ingl\u0026eacute;s\u003c\/p\u003e\r\n\u003cp\u003eFormat: 165 x 240 mm (W x H)\u003c\/p\u003e\r\n\u003cp\u003e128 pages\u003c\/p\u003e\r\n\u003cp\u003eSoftcover binding\u003c\/p\u003e\r\n\u003cp\u003eISBN: 978-84-17173-98-2\u003c\/p\u003e\r\n\u003cp\u003eAuthors: Sem\u0026iacute;ramis Gonz\u0026aacute;lez and Marina Vargas\u003c\/p\u003e\r\n\u003cp\u003eThe Kora programme, which each year presents an exhibition at the Museo Nacional Thyssen-Bornemisza dedicated to a living Spanish artist, celebrates its eighth edition with the exhibition Revelaciones de la artista Marina Vargas (Revelations by the artist Marina Vargas). The title alludes at the same time to the manifestation of the sacred and the unveiling of what has always been hidden and silenced: the figures and voices of women. Revelaciones is both an unprecedented exhibition and an extension of the great themes - the great obsessions - of Vargas's work, and of her intense neo-baroque aesthetic, expressed in a rich variety of media.\u003c\/p\u003e\r\n\u003cp\u003eThe exhibition and what is exhibited in this catalogue is not a mere gathering of independent works of art, but a total creation in which space and colour, paintings and sculptures, objects and words are integrated, and where the artist incorporates the pieces from the Thyssen-Bornemisza collection that she has chosen, such as Hans Cranach's Hercules at the Court of Omphale, Petrus Christus's The Virgin of the Dry Tree or the Angels of the Angels.\u003c\/p\u003e\r\n\u003cp\u003epieces from the Thyssen-Bornemisza collection that she has chosen, such as Hans Cranach's Hercules at the Court of Omphale, Petrus Christus's Virgin of the Dry Tree and Della Robbia's Adoring Angels. Each space surprises us with its own symbolic language. In the first part, devoted to the \u0026lsquo;Word\u0026rsquo;, are the phrases in sign language, taken from sources as diverse as the apocryphal Gospel of Mary Magdalene and modern-day feminist slogans.\u003c\/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\u003cp\u003eIn the second part, on the \u0026lsquo;Vision\u0026rsquo;, the ceramic crabs descend the wall and allude to the cancer that the artist lived through and which determined her creation. In the third part, on the \u0026lsquo;Body\u0026rsquo;, are the two inverted Piet\u0026agrave;s - Jesus holding his Mother: the black Piet\u0026agrave; hanging from the ceiling and the cracked Piet\u0026agrave; on the floor. The last part, the black room, is dominated by the magnificent sculpture of Santa Mar\u0026iacute;a Egipc\u0026iacute;aca, by Luis Salvador Carmona, on loan from the National Museum of Sculpture in Valladolid.\u003c\/p\u003e\r\n\u003cp\u003eSculpture in Valladolid, surrounded by the drawings of the tarot arcana, which have been setting the rhythm of the exhibition and are now brought together as if in a litany.\u003c\/p\u003e\r","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260148564344,"sku":"PP00290","price":17.31,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00290_catalogo_marina_vargas_to.jpg?v=1756326174"},{"product_id":"catalogo-proust-y-las-artes-td","title":"Catalogue \"Proust and the Arts\" Hardcover Spanish\r","description":"\u003cp\u003eLanguage: Spanish\u003c\/p\u003e\r\n\u003cp\u003eFormat: 16,8 x 24 cm\u003c\/p\u003e\r\n\u003cp\u003ePages: 336 pages\u003c\/p\u003e\r\n\u003cp\u003eBinding: hardcover, chrome-plated hardback\u003c\/p\u003e\r\n\u003cp\u003e136 catalogue works, including paintings, drawings, illustrations and books. Includes chronology and bibliography\u003c\/p\u003e\r\n\u003cp\u003eAuthors: Mauro Armi\u0026ntilde;o, Fernando Checa Cremades, Thierry Laget, Francisco P\u0026eacute;rez de los Cobos Orihuel and Jean-Yves Tadi\u0026eacute;\u003c\/p\u003e\r\n\u003cp\u003eISBN: 9788417173999\u003c\/p\u003e\r\n\u003cp\u003eThis publication, like the exhibition it covers, deals with the importance of art in the work of one of the most influential writers of the 20th century, Marcel Proust (Auteuil, 1871 - Paris, 1922), renowned in literature as well as in philosophy and art theory. The aesthetic ideas that Proust develops in his work, the artistic, monumental and landscape environments that surrounded him and which he recreates in his books, as well as the contemporary or past artists who served as a stimulus for him are some of the aspects that articulate this project. The aim is to highlight this link and the interrelationship between art and his figure, his life and his work.\u003c\/p\u003e\r\n\u003cp\u003eTo understand Proust, it is important to know the Paris in which he lived, that is, the cosmopolitan and wealthy capital of the Third Republic, its great transformation after the urban reforms of Baron Hausmann, with the appearance of electricity, cars, shows, restaurants and caf\u0026eacute;s. Proust was fascinated not only by the arts, but also by the modernity that was so much in vogue at the end of the 19th century. The image of modernity created by the Impressionist painters through their depiction of the streets and other atmospheres of Paris is at the basis of Proustian aesthetics: all this would mark his biography as well as his writings.\u003c\/p\u003e\r\n\u003cp\u003eOne of his first published works, Los placeres y los d\u0026iacute;as (1896), already shows his early taste for the arts, music, theatre and, especially, painting and his frequent visits to the Louvre Museum. This interest continued in his greatest work, the novel In Search of Lost Time, published in seven parts between 1913 and 1927. The Paris of the Third Republic, especially the area around the Champs-Elys\u0026eacute;es, the Bois de Boulogne and the aristocratic palaces of the Faubourg Saint-Germain, and the beaches and coasts of northern France, are some of the settings in which the novel takes place and which painters such as Manet, Pissarro, Renoir, Monet, Boudin and Dufy depicted in their paintings. The importance of the theatre in Proust's work is also reflected in the impressive painting by Georges Clairin, from the Petit Palais museum in Paris, depicting Sarah Bernhardt, on which he based, among others, the character of Berma, who is omnipresent throughout the novel.\u003c\/p\u003e\r\n\u003cp\u003eEmphasis is also placed on one of the most outstanding themes in Proust's work, that of the creation and consolidation in the last decades of the 19th century of a new and modern discipline, the History of Art, on his fascination for a city like Venice, to which he travelled twice, on his interest in cathedrals and Gothic architecture and on the writer's not so well known \u0026lsquo;Spanish connection\u0026rsquo; through the figures of Mariano Fortuny y Madrazo and Raimundo de Madrazo.\u003c\/p\u003e\r\n\u003cp\u003eThis tour includes paintings by Rembrandt, Vermeer, Van Dyck, Watteau, Turner, Fantin Latour, Manet, Monet, Renoir and Whistler, among others, a sculpture by Antoine Bourdelle and the aforementioned designs by Fortuny and other artists of the period, as well as a selection of Proust's books.\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260148597112,"sku":"PP00288","price":33.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/cat_logo_proust_to.jpg?v=1756326175"},{"product_id":"comic-gabriele-munter-las-tierras-azules","title":"Comic Gabriele Münter. The blue lands","description":"\u003cp\u003eAuthor: Mayte Alvarado\u003c\/p\u003e\n\u003cp\u003eSpanish\u003c\/p\u003e\n\u003cp\u003eCo-published by Astiberri Ediciones and the National Museum Thyssen-Bornemisza.\u003c\/p\u003e\n\u003cp\u003eColour. Hardcover.\u003c\/p\u003e\n\u003cp\u003e96 pages. 19 x 26 cm.\u003c\/p\u003e\n\u003cp\u003eISBN: 9788419670977\u003c\/p\u003e\n\u003cp\u003eSnowy, sparkling landscapes. The mountain, imposing. The Alps and their blue lands inspired the German painter Gabriele M\u0026uuml;nter with some of her best paintings. Founder and member of the artistic group The Blue Rider, she played a fundamental role in the development of German expressionism at the beginning of the 20th century.\u003c\/p\u003e\n\u003cp\u003eMayte Alvarado looks at the stages of Gabriele M\u0026uuml;nter's life, from her arrival in the village of Murnau to her stay in Paris, and recreates the German painter's own paintings as part of the graphic novel's setting. A stroll through M\u0026uuml;nter's art, often unjustly overshadowed by her sentimental relationship with Kandinsky, in the rhythm of the four seasons.\u003c\/p\u003e\n\u003cp\u003eGabriele M\u0026uuml;nter. The Blue Lands is a co-publication between Astiberri and the Museo Nacional Thyssen-Bornemisza on the occasion of the exhibition Gabriele M\u0026uuml;nter. The great expressionist painter, which will be open in Madrid from 12 November 2024 to 9 February 2025.\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260148990328,"sku":"PP00286","price":18.27,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00286_comic_m_nter_iii_to.jpg?v=1756326202"},{"product_id":"guia-didactica-proust","title":"\"Proust and the arts\" Teaching Guide\r","description":"\u003cdiv class=\"x_elementToProof\" data-olk-copy-source=\"MessageBody\"\u003e\r\n\u003cp\u003eThis teaching guide is the 40th in a series that began more than twenty years ago and in which the Education Department, the Publications Department and the heads of the museum's collections and exhibitions have collaborated. Throughout the series a transformation can be seen, not only in the content, approach or articulation of these guides, but they also reflect the methodological changes in the Education Department of the Museo Nacional Thyssen-Bornemisza. An evolution shared by the people who have participated in the programmes, projects and activities, and naturally, by all the professionals who have formed part of this team since its inception at the end of the last century.\u003cbr \/\u003e \u003cbr \/\u003eThis is a publication in which literature, history and art are narrated, but it is also an exercise in creation on the part of those who read it. Throughout, we propose exercises in the creation of texts, perhaps a little more sophisticated than those we propose, in this case orally, in our face-to-face activities in the museum itself, but which in essence seek to give value to the narratives that come from the reader or the museum visitor and, if the latter so wishes, to be able to share them with us and the rest of the readers.\u003c\/p\u003e\r\n\u003c\/div\u003e\r","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260150071672,"sku":"PP00289","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/pp00289_gui_a_dida_ctica_proust_to.jpg?v=1756326277"},{"product_id":"catalogo-isabel-coixet-collages-aprendizaje-en-la-desobediencia","title":"Isabel Coixet: Collages. Learning in Disobedience","description":"\u003cp\u003eBilingual edition, Spanish and English\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003ePerhaps it is true that the best-told stories are those that are put together from snippets and fragments; those that expect and require the viewer to make the effort to piece together the ultimate meaning, to fill in the gaps left by the narrative. Cinema knows a lot about that, which is why we always go back for more. After over a century of the cinematic gaze, we now know that seeing is not enough. There must be room for divination.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eBut I am not sure if linking collage with filmmaking and its need for fragments might not be a banal way of approaching the paradox – even though cinema is closely connected with the fragmentary nature of collage, the possibilities of a reality made up of gaps, despite its superimposed appearance. I say banal because the collages shown here are the work of an outstanding film director:\u003c\/p\u003e\n\u003cp\u003eIsabel Coixet.\u003c\/p\u003e\n\u003cp\u003eAuthor: Estrella de Diego\u003c\/p\u003e\n\u003cp\u003eFormat: 24 x 31 cm\u003c\/p\u003e\n\u003cp\u003e48 pages\u003c\/p\u003e\n\u003cp\u003ePaperback binding, saddle-stitched with two staples\u003c\/p\u003e\n\u003cp\u003eISBN: 979-13-87729-03-5\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55260150268280,"sku":"PP00292","price":17.31,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/cat_logo_isabel_coixet_to.jpg?v=1756326290"},{"product_id":"cat-esp-rustica-warhol-pollock-y-otros-espacios-americanos","title":"Spanish paperback catalogue \"Warhol, Pollock and other American spaces\"","description":"\u003cp\u003e \u003cspan\u003eClosed format: 23 x 30 cm. Pages: 152 pages. Contents: 94 catalogued works. Includes an essay by Estrella de Diego, curator of the exhibition, an essay by Patrick Moore, former director of the Warhol Museum, and the transcript of a conversation between Estrella de Diego, Guillermo Kuitca (Argentine painter), and Guillermo Solana (artistic director of the Thyssen-Bornemisza National Museum). Produced with the support of the Pollock-Krasner Foundation.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePaperback binding in Spanish.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eISBN 9791387729097\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eCatalogue of the exhibition held at the Thyssen-Bornemisza National Museum from October 21, 2025 to January 25, 2026.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eTraditionally, art history has presented Abstract Expressionism and Pop Art, and therefore each of their most famous representatives—Jackson Pollock and Andy Warhol—as opposing poles belonging to two distinct eras and styles: abstraction and figurative art. Furthermore, Pollock has been portrayed as an artist within the lineage of great creators, inspired and original, while for some, Warhol has been a mere appropriator of images and consumer goods. But what if things were actually different? What if there were affinities between Warhol and Pollock, beyond the former's oft-mentioned fascination with the latter? After all, Pollock was already a celebrated artist when Warhol entered the scene. He was a famous artist, and he died in 1956 in a modern and inexplicable car accident, at the height of his career, just like James Dean.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIt's rarely discussed how Pollock and Warhol—and many other artists of that era—transitioned between abstraction and figuration at different points in their careers. Nor does anyone seem to pay attention to how returns in visual art never truly revert to the starting point, nor do they arrive without transformation. The perspective invented by the Italian Quattrocento—the vanishing point that governs Western space in figurative art—is completely rewritten in some of Pollock's works, and this subversion of traditional perspective marks Warhol's spaces when he considers returning to a figuration that is, to a certain extent, ambiguous, flat, and without a clear vanishing point.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eWhile Pollock's abstractions retain figurative elements, Warhol's figurations shatter traditional space—the figure of Elvis, seemingly floating on a bottomless background, serves as an example. Perhaps in his works, Warhol speaks of space itself, and not merely of consumer goods and figures. In recent years, conventional art history has been reread and re-examined; it has rescued forgotten artists, countries with supposedly secondary roles, and historical moments once dismissed as less relevant to visual art and its evolution. Now, perhaps, the time has come to break down the categories that govern a way of thinking based on opposites that are often not truly opposites.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Ultimately, history is a journey. A line, a thread like those Pollock pursues in his paintings and that Warhol takes up again. For the first time in dialogue, Warhol and Pollock—along with other great American artists—invite us to look once more.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eText by Estrella de Diego (exhibition curator)\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55322673807736,"sku":"PP00298","price":28.85,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00298_CATALOGOWYPRUSTICAESPTO.jpg?v=1760941930"},{"product_id":"cat-esp-tdura-warhol-pollock-y-otros-espacios-americanos","title":"Hardcover catalog \"Warhol, Pollock and Other American Spaces\"","description":"\u003cp\u003e \u003cspan\u003eClosed format: 23 x 30 cm. Pages: 152 pages. Contents: 94 catalogued works. Includes an essay by Estrella de Diego, curator of the exhibition, an essay by Patrick Moore, former director of the Warhol Museum, and the transcript of a conversation between Estrella de Diego, Guillermo Kuitca (Argentine painter), and Guillermo Solana (artistic director of the Thyssen-Bornemisza National Museum). Produced with the support of the Pollock-Krasner Foundation.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eStraight spine, headbands, printed endpapers; printed lining; stamping on cover and spine; 8-page fold-out sewn in the center of the sheet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eISBN 9791387729080\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Catalogue of the exhibition held at the Thyssen-Bornemisza National Museum from October 21, 2025 to January 25, 2026.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eTraditionally, art history has presented Abstract Expressionism and Pop Art, and therefore each of their most famous representatives—Jackson Pollock and Andy Warhol—as opposing poles belonging to two distinct eras and styles: abstraction and figurative art. Furthermore, Pollock has been portrayed as an artist within the lineage of great creators, inspired and original, while for some, Warhol has been a mere appropriator of images and consumer goods. But what if things were actually different? What if there were affinities between Warhol and Pollock, beyond the former's oft-mentioned fascination with the latter? After all, Pollock was already a celebrated artist when Warhol entered the scene. He was a famous artist, and he died in 1956 in a modern and inexplicable car accident, at the height of his career, just like James Dean.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIt's rarely discussed how Pollock and Warhol—and many other artists of that era—transitioned between abstraction and figuration at different points in their careers. Nor does anyone seem to pay attention to how returns in visual art never truly revert to the starting point, nor do they arrive without transformation. The perspective invented by the Italian Quattrocento—the vanishing point that governs Western space in figurative art—is completely rewritten in some of Pollock's works, and this subversion of traditional perspective marks Warhol's spaces when he considers returning to a figuration that is, to a certain extent, ambiguous, flat, and without a clear vanishing point.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eWhile Pollock's abstractions retain figurative elements, Warhol's figurations shatter traditional space—the figure of Elvis, seemingly floating on a bottomless background, serves as an example. Perhaps in his works, Warhol speaks of space itself, and not merely of consumer goods and figures. In recent years, conventional art history has been reread and re-examined; it has rescued forgotten artists, countries with supposedly secondary roles, and historical moments once dismissed as less relevant to visual art and its evolution. Now, perhaps, the time has come to break down the categories that govern a way of thinking based on opposites that are often not truly opposites.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Ultimately, history is a journey. A line, a thread like those Pollock pursues in his paintings and that Warhol takes up again. For the first time in dialogue, Warhol and Pollock—along with other great American artists—invite us to look once more.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIncludes an essay by Estrella de Diego, curator of the exhibition, an essay by Patrick Moore, former director of the Warhol Museum,\u003c\/span\u003e \u003cb\u003eand the transcript of a conversation between Estrella de Diego, Guillermo Kuitca (Argentine painter), and Guillermo Solana (artistic director of the Thyssen-Bornemisza National Museum)\u003c\/b\u003e \u003cspan\u003e. Produced with the support of the Pollock-Krasner Foundation.\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55322673873272,"sku":"PP00299","price":33.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00299_CATWYPTAPADURATO.jpg?v=1760942296"},{"product_id":"guia-didactica-warhol-pollock","title":"Educational guide for the exhibition \"Warhol, Pollock and other American spaces\" ","description":"\u003cdiv data-olk-copy-source=\"MessageBody\" class=\"x_elementToProof\"\u003e\n\n\u003cdiv class=\"x_elementToProof\" data-olk-copy-source=\"MessageBody\"\u003e 64 pages\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e Softcover or paperback binding, sewn with thread\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e Closed format: 150 x 180 mm\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003c\/div\u003e\n\n Jackson Pollock and Andy Warhol have historically been interpreted as opposites—the former a symbol of gestural and abstract painting, the latter an icon of pop art and mass production. This exhibition, however, invites us to dismantle that dichotomy and discover the points where their paths intersect, revealing a thread of continuity between them.\u003c\/div\u003e\n\n\u003cdiv data-olk-copy-source=\"MessageBody\" class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv class=\"x_elementToProof\"\u003eAlthough art history has presented these artists as distant and opposing figures, in reality their pictorial interests and concerns developed in parallel. Both explored space, repetition, abstraction, and seriality. Their paths lead in similar directions, even if they pursued them in stylistically distinct ways. Warhol admired Pollock, and both shared a preoccupation with reinventing space in painting. Their works are not limited to representing objects or scenes, but rather play with the relationship between figuration and abstraction, background and figure, layers and superimpositions.\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv class=\"x_elementToProof\"\u003eThe exhibition revolves around this dialogue between the two painters, a core theme that expands with contributions from other artists of their time. It brings together more than one hundred works—paintings, photographs, screen prints, and other techniques—from international collections such as the Metropolitan Museum of Art, the Museum of Modern Art, and the Andy Warhol Museum, along with works from the Thyssen collections. These are complemented by creations from Robert Rauschenberg, Mark Rothko, Sol LeWitt, Cy Twombly, and a group of essential artists from the American art scene: Lee Krasner, Audrey Flack, Anne Ryan, Marisol, Perle Fine, Hedda Sterne, and Helen\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e Frankenthaler.\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e All these voices engage in dialogue with each other to show that the boundary between one group and another is much more permeable than we usually imagine.\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv class=\"x_elementToProof\"\u003eBienvenida Estrella de Diego, curator of the exhibition, has written an essay in the catalogue that takes an unusual approach to art history: focusing on the shoes depicted in some of the most emblematic works in the history of Western painting. For her, the shoes she examines are almost a declaration of intent, a silent autobiography. From the delicate footwear of the Flemish Renaissance painter Jan van Eyck to Van Gogh's worn boots, this seemingly secondary detail becomes a gateway to understanding each artist's concerns and the meaning that art has held in each historical period.\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e This guide complements the curator's proposal and invites you to step into the artists' shoes and \"take a walk\" with them. Putting yourself in someone else's shoes is a way to imagine their life, to try to understand their perspective. We invite you to move between these two artists. \u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\n\n\u003cdiv class=\"x_elementToProof\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55326917984632,"sku":"PP00302","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00302_GUIADIDACTICAWYPTO.jpg?v=1761215079"},{"product_id":"catalogo-picasso-y-klee-en-la-coleccion-heinz-berggruen","title":"Catalogue of Picasso and Klee in the Heinz Berggruen Collection (Spanish with texts in English)","description":"\u003cp\u003eThe Thyssen-Bornemisza National Museum and the Berggruen Museum in Berlin present a visual and intellectual dialogue between Pablo Picasso (1881-1973) and Paul Klee (1879-1940), two visionary artists who transformed modern art forever. Their successive, often antagonistic but equally revolutionary approaches, which led them to deconstruct reality through a radically different artistic language, forever changed how contemporary man sees and engages with the world.\u003c\/p\u003e\n\u003cp\u003eThe exhibition also highlights the affinities between the two museums, both public institutions created after the acquisition of private collections. Heinz Berggruen (1914-2007), an influential 20th-century art dealer and collector, and his contemporary, the magnate Hans Heinrich Thyssen-Bornemisza (1921-2002), shared a desire to create museums so that the works they had amassed over decades would be properly preserved for posterity and enjoyed by the public.\u003c\/p\u003e\n\u003cp\u003eThe exhibition and its catalogue are structured in four sections dedicated to the themes and genres that both Picasso and Klee worked on, which include some paintings from the Thyssen, to emphasize the link that exists between the two collections: Portraits and masks, Places, Objects and Harlequins and nudes.\u003c\/p\u003e\n\u003cp\u003eFormat: 168 x 240 mm\u003c\/p\u003e\n\u003cp\u003eLanguage: Spanish with appendix with texts in English.\u003c\/p\u003e\n\u003cp\u003e176 pages in total, of which\u0026nbsp;144 printed on coated paper, 32 printed on colored offset paper\u003c\/p\u003e\n\u003cp\u003eHardcover binding with stamping and printed chromolithographs on the cover\u003c\/p\u003e\n\u003cp\u003eISBN: 979-13-87729-11-0\u003c\/p\u003e\n\u003cp\u003eAuthors: Paloma Alarcó and Gabriel Montua (exhibition curators); Marta Ruiz del Árbol and Natalie Zimmer\u003c\/p\u003e\n\u003cp\u003e57 catalogued works reproduced in full color\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55342023934328,"sku":"PP00301","price":26.92,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00301_CATPICASSOKLEETO.jpg?v=1761656585"},{"product_id":"edgar-degas-en-la-sombreria-estudio-tecnico","title":"Edgar Degas, In the Millinery. Technical Study.","description":"\u003cp\u003eThis book, published in conjunction with the technical study of Edgar Degas's painting \"In the Millinery,\" accompanies an exhibition that showcases the process and results of the study, which will take place in Room 33 of the Thyssen-Bornemisza National Museum.\u003c\/p\u003e\n\u003cp\u003e from November 18, 2025 to March 1, 2026.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e Degas dedicated much of his work to observing the women of his time, whether working women—laundresses, opera dancers, music hall singers—or bourgeois women. Among them, milliners and their clients occupy an important place. \"In the Millinery\" was the first pastel of a milliner's shop purchased from Degas, in June 1882, by his art dealer Paul Durand-Ruel, and the first to be exhibited (in July 1882, at a London gallery).\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e The milliner figure that appears in other pastels is absent here. A customer—for whom the painter Mary Cassatt posed—is trying on a hat, gazing into a mirror we cannot see, but whose light illuminates her face. With her back to us, another woman observes the process. On the back wall, another mirror with a gilt frame reflects the street light, casting the figures in silhouette. Between them and the viewer, Degas places a table or counter displaying the fabric or straw hats, decorated in reds, blues, and whites.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e The scene evokes the classic theme of a woman's toilette before a mirror, a recurring motif from mythological and allegorical images of Venus to moralizing versions in Dutch genre painting and the voyeurism of the French Rococo. But now the theme takes on a new meaning, referring to the emancipation of women in modern urban life. The two women appear alone in a private setting, rehearsing together the image they will present in the public sphere. The protagonist tries on a hat—essaye un chapeau, as the French expression goes—just as Degas's dancers rehearse a pose backstage: in preparation for a public performance. Degas's emphasis on the backstage and rehearsals expresses his conception of art as a practice that demands training and discipline, as a process of constant experimentation and refinement.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e One of the hats, hanging very high, rivals the women's heads. The hats on the table form an abstract pictorial composition. Two of them, with their touches of color, resemble a painter's palette. At this time, small milliners were disappearing, displaced by factory production and sales in department stores. And it would seem that Degas pays tribute to the craft of these artisans by comparing it to that of the painter. The novelist and critic Joris-Karl Huysmans spoke of Degas as \"an excellent 'hamper'\" (\"un excellent 'modiste'\"), with \"his great skill in rendering fabrics.\" If the painter is a bit of a milliner, the milliner is\u003c\/p\u003e\n\u003cp\u003e She's a bit of a painter.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e The museum's Restoration Department, led by Alejandra Martos, has undertaken a comprehensive technical study of the work, comparing it with other Degas pastels to examine his methods and materials and understand how the painting was created, from the cardboard support to the final stroke. The analyses have also confirmed the extreme fragility of this pastel, providing valuable technical information for its proper conservation.\u003c\/p\u003e\n\u003cp\u003e Authors: Alejandra Martos, María Victoria Bescansa, Andrés Sánchez Ledesma, María Isasi Calvo, Maite Jover de Celis and Susana Pérez.\u003c\/p\u003e\n\u003cp\u003e Format: 16.8 x 23 cm\u003c\/p\u003e\n\u003cp\u003e 56 full-color printed pages\u003c\/p\u003e\n\u003cp\u003e Full-color printed cover\u003c\/p\u003e\n\u003cp\u003e Paperback binding, sewn with thread\u003c\/p\u003e\n\u003cp\u003e ISBN: 9791387729127\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55447745397112,"sku":"PP00303","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00303EDGARDEGASENLASOMBRERIAESTUDIOTECNICOTO.jpg?v=1770715795"},{"product_id":"catalogo-hammershoi-el-ojo-que-escucha","title":"Catalogue \"Hammershoi: The Listening Eye\"","description":"\u003cp\u003eVilhelm Hammershøi (1864-1916) was a Danish painter known for his deliberate and meticulous approach, who created just over 400 works in his 51 years. His refined figurative painting enjoyed success with both the public and critics of his time, a period that coincided with Symbolist, Expressionist, and early Cubist movements. After the artist's death, with the consolidation of the historical avant-garde, his work fell outside the established canon and was largely forgotten. However, since the 1980s, interest in his work, both within and outside Denmark, has steadily increased.\u003c\/p\u003e\n\u003cp\u003eThe Listening Eye alludes to the metaphorical relationship between Hammershøi's painting, the silence it evokes, and his passion for music. In his limited palette, white plays a particularly prominent role, a color that—as Kandinsky noted—conveys a silence full of possibilities and functions similarly to a musical pause: it creates anticipation and is a necessary condition for listening. The empty spaces, the introspective figures, and the apparent absence of action in Hammershøi's paintings contribute to enhancing this silence, conveyed by the color and the gray glazes that unify his works. The exhibition is organized into sections dedicated to portraits, figures, interiors, and urban and rural landscapes, offering access to a small universe—that of his immediate surroundings—which the artist orders and renders through meticulous harmony.\u003c\/p\u003e\n\u003cp\u003eSpanish edition with appendix of texts in English\u003c\/p\u003e\n\u003cp\u003eHardcover binding lined with paper with rounded spine and printed chrome on the cover; stamping on the cover and spine; endpapers and headbands.\u003c\/p\u003e\n\u003cp\u003eFormat: 240 x 290 mm\u003c\/p\u003e\n\u003cp\u003e232 pages\u003c\/p\u003e\n\u003cp\u003eInterior pages on two types of paper: matte coated for the essay section with images and offset for the appendix of texts in English\u003c\/p\u003e\n\u003cp\u003eAuthors: Clara Marcellán, Ramón Andrés, Jonas Beyer, Sandra Gianfreda and Florian Illies, Peter Norgaard Larsen\u003c\/p\u003e\n\u003cp\u003e97 catalogued works\u003c\/p\u003e\n\u003cp\u003eISBN: 9791387729073\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCatalogue with the support of the\u0026nbsp;\u003c\/span\u003e\u003cspan\u003e\u003cspan data-markjs=\"true\" class=\"markvkpl3sqd9\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eNew\u003c\/span\u003e\u0026nbsp;\u003cspan data-markjs=\"true\" class=\"markpz6371uwm\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eCarlsberg\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u0026nbsp;\u003cspan data-markjs=\"true\" class=\"mark26btxu2vy\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eFoundation\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55449777897848,"sku":"PP00304","price":36.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/PP00304_CATALOGOHAMMERSHOITO.jpg?v=1770982408"},{"product_id":"guia-didactica-hammershoi","title":"Hammershoi Teaching Guide","description":"\u003cp\u003eThis guide is not meant to be read linearly from beginning to end, nor to be followed verbatim during your visit. It is more useful as a toolbox that you can use to plan your tour, to explore only certain works, or to revisit specific paintings later.\u003c\/p\u003e\n\u003cp\u003e Vilhelm Hammersoi painted seemingly simple things: dimly lit rooms, half-open doors... What's strange is not the subject matter, but the way he constructed the scene. Instead of seeking out striking details, he lowered the volume and relied on light, doorways, and the posture of the figures to make the painting work with very little.\u003c\/p\u003e\n\u003cp\u003e Texts: Rufino Ferreras Marcos (Head of the Education Department of the Thyssen-Bornemisza National Museum)\u003c\/p\u003e\n\u003cp\u003e Languages: Spanish.\u003c\/p\u003e\n\u003cp\u003e Format: 15 x 18 cm.\u003c\/p\u003e\n\u003cp\u003e 67 pages.\u003c\/p\u003e\n\u003cp\u003e ISBN: 9791387729158\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55455186452856,"sku":"PP00306","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/TO_c306cb93-ea41-436a-81b8-3d0e7adc5d42.jpg?v=1771326065"},{"product_id":"irma-alvarez-laviada-dentro-y-fuera-del-marco","title":"Catalogue \"Irma Álvarez-Laviada. Inside and outside the frame\"","description":"\u003cp\u003eTexts: Rocío de la Villa and Irma Álvarez-Laviada\u003c\/p\u003e\n\u003cp\u003e ISBN: 9791387729141\u003c\/p\u003e\n\u003cp\u003e Binding: paperback binding sewn with vegetable thread with blind stitching\u003cbr\u003e on the cover and die-cut.\u003c\/p\u003e\n\u003cp\u003e Pages: 232\u003c\/p\u003e\n\u003cp\u003e Format: 21 x 26 cm\u003c\/p\u003e\n\u003cp\u003e Bilingual edition with texts in Spanish and English\u003c\/p\u003e\n\u003cp\u003e Through the work of Irma Álvarez-Laviada, we approach geometric abstraction from a gender perspective. The attributes of stereotypical masculine and feminine notions—tall and horizontal, hard and soft, essential and subsidiary, full and empty—are called into question. Álvarez-Laviada's works engage with this tradition of object-based painting—from Suprematism and Neoplasticism to Minimalism—deconstructing it through creative processes governed by repetition and its variations, often using industrial materials treated with meticulous craftsmanship.\u003cbr\u003e Catalogue produced with the support of 6a taller and Galeria d'art\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55466828530040,"sku":"PP00305","price":23.08,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/CATALOGOIRMAALVAREZTO.jpg?v=1771594748"},{"product_id":"catalogo-carmen-laffon-tapa-dura","title":"\"Carmen Laffón. Variaciones\" Hardcover Catalog","description":"\u003cdiv\u003eThe Museo Nacional Thyssen-Bornemisza inaugurates the first retrospective of Carmen Laffón, one of our essential artists, since her passing in 2021. In this project, conceived and executed by the museum's Head of Exhibitions, Paula Luengo, the two fundamental genres of Laffón's work, still life and landscape, are alternated and sometimes intertwined: the close look at everyday objects and the gaze towards the distance. In turn, in the approach to the object—be it a table, a small cabinet, or a basket with grapes—the languages of painting and sculpture engage in an intimate dialogue.\u003c\/div\u003e\n\u003cdiv\u003eStarting from an early commitment to realistic figuration, Laffón refined her vision under the influence of contemporary abstract painting, from the lyrical abstraction of a Fernando Zóbel to the post-minimalism of Agnes Martin or Robert Ryman (whose presence we can feel in the infinite nuances of white in Laffón's last series, dedicated to whitewash and salt flats). In her long series of versions of the landscape of Coto de Doñana seen from Sanlúcar, Laffón approaches abstraction as closely as possible without becoming entirely abstract, without completely losing the link with a place.\u003c\/div\u003e\n\u003cdiv\u003e\"Theme and Variations\" is the name of one of the oldest musical forms. In the title of this exhibition and in the quote from Ernest Chesneau that heads the curator's essay, the \"theme\" has disappeared; only the variations remain. There is no original on which the successive versions depend, and all of them present the same value, the same truth. This is the essential modernity of Carmen Laffón's work. The variations modify the sense of time; in Laffón there is no linear development, but an incessant return.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eLanguage: Spanish.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHardcover binding with printed cloth\u003c\/p\u003e\n\u003cp\u003eFormat: 18.5 x 24.5 cm\u003c\/p\u003e\n\u003cp\u003e192 pages\u003c\/p\u003e\n\u003cp\u003eAuthors: Paula Luengo (curator), Estrella de Diego and Carmen Laffón\u003c\/p\u003e\n\u003cp\u003e77 catalog works of painting and sculpture\u003c\/p\u003e\n\u003cp\u003eISBN: 9791387729172\u003c\/p\u003e\n\u003c\/div\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55586624209272,"sku":"PP00307","price":32.69,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/CATALOGO_TAPA_DURA_CARMEN_LAFFON_TO_1bc509e4-1632-4512-847c-07f98743d507.jpg?v=1782205857"},{"product_id":"catalogo-carmen-laffon-tapa-blanda","title":"Catálogo \"Carmen Laffón. Variaciones\" tapa blanda","description":"\u003cdiv\u003eThe Museo Nacional Thyssen-Bornemisza inaugurates the first retrospective of Carmen Laffón, one of our essential artists, since her passing in 2021. In this project, conceived and executed by the museum's Head of Exhibitions, Paula Luengo, the two fundamental genres of Laffón's work, still life and landscape, are alternated and sometimes intertwined: the close look at everyday objects and the gaze towards the distance. In turn, in the approach to the object—be it a table, a small cabinet, or a basket with grapes—the languages of painting and sculpture engage in an intimate dialogue.\u003c\/div\u003e\n\u003cdiv\u003eStarting from an early commitment to realistic figuration, Laffón refined her vision under the influence of contemporary abstract painting, from the lyrical abstraction of a Fernando Zóbel to the post-minimalism of Agnes Martin or Robert Ryman (whose presence we can feel in the infinite nuances of white in Laffón's last series, dedicated to whitewash and salt flats). In her long series of versions of the landscape of Coto de Doñana seen from Sanlúcar, Laffón approaches abstraction as closely as possible without becoming entirely abstract, without completely losing the link with a place.\u003c\/div\u003e\n\u003cdiv\u003e\"Theme and Variations\" is the name of one of the oldest musical forms. In the title of this exhibition and in the quote from Ernest Chesneau that heads the curator's essay, the \"theme\" has disappeared; only the variations remain. There is no original on which the successive versions depend, and all of them present the same value, the same truth. This is the essential modernity of Carmen Laffón's work. The variations modify the sense of time; in Laffón there is no linear development, but an incessant return.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLanguage: Spanish.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ePaperback\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ebinding\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ewith\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003eflaps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFormat: 18.5 x 24.5 cm\u003c\/p\u003e\n\u003cp\u003e192 pages\u003c\/p\u003e\n\u003cp\u003eAuthors: Paula Luengo (curator), Estrella de Diego and Carmen Laffón\u003c\/p\u003e\n\u003cp\u003e77 catalog works of painting and sculpture\u003c\/p\u003e\n\u003cp\u003eISBN: 9791387729189\u003c\/p\u003e\n\u003c\/div\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55586624471416,"sku":"PP00308","price":28.85,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/CATALOGO_TAPA_BLANDA_CARMEN_LAFFON_copia.jpg?v=1782205663"},{"product_id":"guia-didactica-carmen-laffon","title":"Teaching Guide Carmen Laffón","description":"\u003cp\u003eEducational guide for the exhibition Carmen Laffón. Variations. 2026\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55586624504184,"sku":"PP00309","price":11.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/guiadidacticaaltato.jpg?v=1782127982"},{"product_id":"cat-mitos-del-pop-espanol-t-dura","title":"CAT. MITOS DEL POP ESPAÑOL T.DURA","description":"\u003cp\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003eA\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ereally\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ecute\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ebook\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003eabout\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003ethat\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"--l --r hover:bg-surface-info-muted hover:text-info-muted\"\u003eexhibition\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55607815307640,"sku":"PP00159","price":40.38,"currency_code":"EUR","in_stock":true}]},{"product_id":"carmen-thyssen-collection-museo-nacional-thyssen-bornemisza","title":"Carmen Thyssen Collection Catalogue","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn 9 February 2022, Miquel Iceta, Spain’s Minister of Culture and Sport and President of the Thyssen-Bornemisza Collection Foundation, signed the loan agreement guaranteeing the presence of 330 works from the Carmen Thyssen Collection at the Museo Nacional Thyssen-Bornemisza for a period of fifteen years. The agreement also stipulated that a significant selection of these works would be installed in the museum’s ground-floor galleries, previously devoted to twentieth-century art. This catalogue documents the new display, whose aim is to highlight the collection’s continuity and coherence.\u003c\/p\u003e\n\u003cp\u003eThe central focus of the Carmen Thyssen Collection is the evolution of landscape painting over the course of four centuries. The journey begins (Gallery A) with a masterpiece by Jan Brueghel, \u003cem\u003eThe Garden of Eden\u003c\/em\u003e, and a dialogue, presented on opposing walls, between seventeenth-century Dutch rural genre painting and the Italian urban veduta, represented by its pioneer Gaspar van Wittel and the great Venetian masters Canaletto and Guardi. The itinerary then follows the parallel development of landscape painting in Europe and North America throughout the nineteenth century.\u003c\/p\u003e\n\u003cp\u003eGallery B explores American landscape painting between Romanticism and Naturalism. European Realism (Gallery C) is superbly represented by masterpieces such as Corot’s \u003cem\u003eSolitude\u003c\/em\u003e and Van Gogh’s \u003cem\u003eWatermill at Gennep\u003c\/em\u003e, alongside works by other contemporary French and Dutch artists. Gallery D, devoted to French Impressionism, is one of the highlights of the visit, featuring key works by Monet, Renoir, Pissarro and Sisley. By contrast, Gallery E presents Monet’s late work alongside that of his American Impressionist followers. A spacious area (Gallery F) is dedicated to Gauguin—centred on his most iconic work, \u003cem\u003eMata Mua\u003c\/em\u003e—as well as to his collaborators and followers.\u003c\/p\u003e\n\u003cp\u003eGallery G examines Neo-Impressionism and its role in the development of abstraction, focusing on an important painting by Kandinsky. Gallery H offers an overview of the early avant-garde movements, concentrating on the dialogue between French Fauvism and German Expressionism, with major figures including Matisse, Picasso, Braque, Delaunay, Kirchner, Nolde and Goncharova.\u003c\/p\u003e\n\u003cp\u003eThe tour concludes (Galleries I and J) with a varied selection of important avant-garde artists—among them Léger, Juan Gris, Picabia and Delvaux—and a special focus on twentieth-century American artists, including Georgia O’Keeffe, Reginald Marsh and Richard Estes.\u003c\/p\u003e\n\u003cp\u003eThe collection on display provides an ideal complement to the galleries dedicated to the museum’s permanent collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"tienda-museothyssen","offers":[{"title":"Default Title","offer_id":55607815733624,"sku":"PP00295","price":33.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/4221\/6345\/files\/CATALOGO_CARMEN_THYSSEN_INGLES_TO_97c77bf6-5f5b-40f9-9550-263380dabf2d.jpg?v=1784878393"}],"url":"https:\/\/tienda.museothyssen.org\/en\/collections\/libros-propios-b2b.oembed","provider":"tienda-museothyssen","version":"1.0","type":"link"}