Author: Sebastian Smee
Publisher: Taschen
ISBN: 9783836560610
Binding: hardcover
Pages: 96
Format: 21 x 26 cm
Spanish Language
Lucian Freud (1922-2011) was interested in showing the truth. Always outside the mainstream of 20th-century art, the esteemed portraitist observed his subjects with the rigor and precision of a scientist in his laboratory. He captured not only the spots, bruises and swellings of the body, but also the microscopic details beneath the flaws and folds of the flesh: the sensation, the emotion, the intelligence, the splendor and the inevitable, unstoppable decay. Despite his rejection of parallels between himself and his famous grandfather, the correlation between Lucian Freud’s portrait-painting process and Sigmund Freud’s psychotherapy sessions is a fascinating element of this figurative work. Despite the thickness of the surfaces in the impasto technique, Freud’s portraits of such disparate figures as the Queen of England, Kate Moss and an obese employment office supervisor go beyond the physical with an unmistakable and often overwhelming perception. The result is a psychological study as well as a disturbing examination of the relationship between artist and model.
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